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Displaying items by tag: Violet Beauregarde

Beloved children’s author Roald Dahl’s timeless story of the quirky and mysterious candy-maker looking for his heir apparent comes to life in an energetic and magical performance in the Theatre for Young Audiences’ musical adaptation of Charlie and the Chocolate Factory now on stage at the Marriott Theatre in Lincolnshire.

The 70-minute-long performance is a wonderful mix of old and new. Older members of the audience appreciated the familiar tunes from the 1971 film starring Gene Wilder, such as the iconic “The Candy Man,” “I’ve Got a Golden Ticket,” and “Pure Imagination” while the younger audience was captivated with the “Queen of Pop” (and next “It Girl”), Violet Beauregarde, Mike Teavee’s all-things techno obsession, and the very spoiled and demanding antics of Veruca Salt.

Upon entering the theatre, with the centerstage bathed in cool purple lighting and musical tributes featuring candy playing in the background, the audience is immediately transported to another place and time, where “pure imagination” reigns. The magic continues as the show opens with a flash news report from “Cherry Sunday” (Megan Long) about the famed candy-maker’s search for a suitable replacement to take over his workshop.

A delightful chorus of Oompa-Loompas, bedecked in colorful multi-patterned coats, jaunty bowler hats, and oversized sunglasses, appear in every aisle, allowing the young audience to feel part of the show, as they introduce us to the main man himself. Willy Wonka, wonderfully played by George Keating, brings just the right amount of quirkiness, charm, and empathy to his character.

The story continues as Mr. Wonka announces a worldwide contest, hiding five golden tickets in his chocolate bars. The lucky “finders” will be invited to visit his famed factory and be eligible for the grand prize. We meet young Charlie Bucket, played by the very talented Kai Edgar, who lives for Willy Wonka chocolate bars and dreams about winning a ticket. But his family is so poor that they can only afford to buy Charlie one candy bar on his birthday.

Charlie shares his dreams for helping his family and writes a letter to Mr. Wonka, telling him about the many wonderful candy confections he would invent for each family member, then sends it sailing out into the world, knowing there is little chance that he would ever win.

And, as the four golden tickets are quickly won by an assortment of spoiled, ill-mannered kids from around the world – the sausage-consuming Augustus Gloop (Elias Totleben), the foot-stomping demanding Veruca Salt (Elin Joy Seiler), the gum-chewing social-media queen Violet Beauregarde (Avelyn Lena Choi), and the techno-obsessed Mike Teavee (Gordon Henry Heisler) -- Charlie’s hopes dim. And when he, at last, does receive a Wonka bar, alas, no golden ticket. Charlie is distraught.

Yet, the kindly candy-story shopkeeper, who is unbeknownst to Charlie is Mr. Wonka himself, drops a dollar bill, and with it, Charlie buys the very last Wonka bar in the world. To his amazement, Charlie wins the last golden ticket. The audience broke into delighted applause as Charlie and his grandfather cavort around the stage in celebration.

Under the skillful direction of Amber Mak, who also choreographed the show, the magical world of Willy Wonka’s mysterious chocolate factory comes to life through a combination of artful staging, colorful costumes, and confectionary props that looks almost good enough to eat. Throw in some bubbles and the clever use of large lighting panels that surround the stage and enhance the action on stage, and voilà – your imagination takes you right into the very heart of Wonka’s enchanted workshop.

The audience squealed in part dismay, part approval, as one by one the obnoxious cadre of children, brilliantly played by Totleben, Seiler, Choi, and Heisler, were eliminated from the competition because they crossed the line and broke the rules. And yes, thanks to an ingenious costume design, the gum-chomping Violet Beauregarde, does turn into a blueberry to the wonder of the crowd.

Finally, Charlie and his grandfather are the only ones left, and Mr. Wonka invites them into his sacred workshop where all the delicious designs are born. Leaving his book of creations behind, with a warning not to look inside it, Mr. Wonka and the grandfather go off to sign some papers for awarding the grand prize. As Charlie walks toward the forbidden book, the audience yelled at him to stop, but of course, he cannot help himself and opens the book.

When he discovered there were empty pages in the notebook, Charlie begins to sing again of his own dreams and visions for confectionary creations. When Mr. Wonka returns, rather than banishing Charlie from the factory as he did the other children for disobeying his rules, he tells Charlie that he indeed has won the grand prize because of his good heart and his pure imagination. Charlie is now the next “Candy Man” and inherits the factory.

As the young crowd applauded its approval and left the theatre thoroughly satisfied and entertained, the words to “The Candy Man” came back to me, “Who can take tomorrow and dip it in a dream?” The Candy Man can, and for one magical hour, the accomplished cast of the Marriott’s Charlie and the Chocolate Factory did as well.

Charlie and the Chocolate Factory Theatre for Young Audiences is running through March 28 at the Marriott Theatre, located at 10 Marriott Drive in Lincolnshire. Performances take place on most Wednesdays through Sundays at 10 am with select 12:30 pm performances. Visit www.marriotttheatre.com or call 847.634.0200 for the exact schedule, as show times and dates may vary.

This review is proudly shared with our friends at www.TheatreInChicago.com.

Published in Theatre in Review

 

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