
As someone who is ever the cynic about telling the same old stories every year under the guise of tradition, A Christmas Carol rarely draws me in. Manual Cinema’s latest production, however, takes a Christmas classic and makes it new again. Told through the eyes of a narrator who shares my skepticism, Dickens’ nearly 200-year-old tale becomes something modern and accessible, shaped by humor and a perspective that understands both the fatigue of repetition and the value of returning to the story.
The first Christmas following the loss of her husband, Aunt Trudy finds herself celebrating on Zoom, begrudgingly carrying on his tradition of performing a one-man puppet show of Charles Dickens’ Christmas Carol for his family. Throughout the night, Trudy experiences every stage of grief, struggling to complete the classic story, and is joined by three ghosts (Lizi Breit, Julia Miller, and Jeffery Paschal) who transform the puppetry from a faltering solo obligation into a fluid, ensemble-driven act of storytelling.
Everyone knows that for every moment that appears effortlessly onstage, there’s ten times as much unseen labor happening behind the scenes. In Manual Cinema’s production, however, much of the typically unshown work takes place on stage. Rather than hiding the mechanics of either the puppetry or music, the show invites the audience to watch its intricate systems at work, transforming the process itself into part of the performance.
The immediate set is Aunt Trudy’s half-packed house, allowing us to watch her in the behind-the-scenes reality of her puppet show. Above this is a projector screen that displays Trudy's show from the other perspective of the video call, allowing us to also watch the show as a member of the Zoom. On one side of Trudy’s space is a projection set-up where the three ghost/puppeteers perform what almost looks like a choreographed dance while creating some of the most intricate and beautifully animated visuals I’ve seen – not only are the puppeteers creating these images LIVE, but also while physically performing themselves. On the other side is the pit orchestra, playing live on stage and dressed in typical performance blacks, who feel almost like esemplastic shadow puppets who also provided beautiful instrumental and stunning vocals throughout the show.
At the center of it all – a smart adaptation of a classic, stunning puppetry, and haunting music – is everyone’s new favorite aunt, Aunt Trudy, played by LaKecia Harris. Truly incredible on every level, Harris portrays a grieving widow and beginner puppeteer on the big screen while simultaneously operating as a vital part of the onstage puppeteering machine, grounding the production with warmth, humor, and emotional clarity.
If you’re a fan of A Christmas Carol, then you have to see this show. And, if you’re a bit tired of the old story, this may be exactly what changes your mind.
Manual Cinema’s Christmas Carol is running at Studebaker Theater through December 28th, as well as live streaming the production on select dates. Tickets are available at
Over the years, I’ve seen a lot of theater and a lot of musical performances. And because of that, people…
Rogers & Hammerstein’s South Pacific has long been one of my favorite musicals, not just for its sweeping romance and…
Successful storytelling – the kind that makes you laugh, cry, feel empathy, and, most importantly, inspires you to get involved…
A strong Chicago theatre weekend starts with choosing your flavor, and this one offers a full flight. Whether you’re in…
Lake Forest's Citadel Theatre has announced its 2026-27 mainstage season, which will include two favorites and two acclaimed recent pieces…
Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through…
Chicago Tap Theatre (CTT) presents Saturn Returns, directed by Molly Smith and music directed by Anaiet Soul, June 11-14 at The Edge Theater, 5451 N. Broadway Ave.…
Your favorite kids show is back! The Second City is excited to welcome the return of its wildly popular summer…
Get ready for a cosmic comedy of gods, monsters, and mayhem that refuses to play by the old rules. That’s…
The Wedding Singer is currently onstage at Metropolis Performing Arts Centre in Arlington Heights, offering a faithful and upbeat interpretation…
Drury Lane Theatre continues its 2026/2027 season with the divine extravaganza Nunsense, featuring book, music and lyrics by David Goggin, directed by E. Faye…
Chicago Shakespeare Theater (CST) announces the cast and creative team for Brokeback Mountain, the North American premiere production of Ashley Robinson's adaptation of the…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce that single tickets for THE NOTEBOOK,…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
Buffalo Theatre Ensemble (BTE), the professional Equity theater company in residence at the McAninch Arts Center (MAC), announced it will…
Eclectic Full Contact Theatre is proud to announce the cast and crew for their final show of season 14, THE…
Broadway In Chicago and Metra are pleased to announce a new promotion featuring nine shows coming to Chicago this summer: CHICAGO THE MUSICAL, LES MISÉRABLES, SPAMALOT, KINKY…
The world‑renowned Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings the passionate, expressive rhythms of Spain…
Shattered Globe’s world premiere of the delightful comedy “Eelpout!” delivers its punches with deceivingly understated skillfulness. Written by Paul W.…
Steppenwolf's LookOut Series is proud to unveil its lineup for Summer 2026, marking ten years of steadfast dedication to Chicago performing artists…
Four favorite singers of past Marriott Theatre concerts will unite on Monday, June 1 and Tuesday, June 2 for LET'S…
A show somewhere between a play, standup act, memoir, and PowerPoint presentation. A show so chaotic you think it could…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Concluding BrightSide's 14th season will be THE PRODUCERS, the longest running Broadway musical comedy ever and the winner of 12 Tony…
The Joffrey Ballet concludes its 2025-26 season with the highly anticipated Chicago Premiere of Yuri Possokhov’s Eugene Onegin, a richly layered and deeply human…
The Chicago theater community is grappling with the sudden loss of Matt DeCaro, whose death early Saturday came as a…
Dark comedies built around relationship dynamics have always drawn me in because they reveal conflict with a kind of honesty…
A psychotherapist is held hostage by a gun-toting patient demanding he certify her as stable enough to return to work.…
Curious Theatre Branch, launches its 38th Season, with the revival of Talking About Godard, written by Beau O’Reilly and directed by Beau O’Reilly with Briavael O’Reilly, May…
Paramount's Lush and Spectacular South Pacific Brings Island Love to Life!
Fallin’ to Pieces over “Always…Patsy Cline” at American Blues Theater
A Night of Honesty and Humor: Isabel Klee Talks Dogs, Boys, and Growing Up
Citadel Theatre announces a mix of classics and 21st Century works for its 2026–27 mainstage season
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.