Theatre in Review

Paul Slade Smith’s Unnecessary Farce - a 2006 comic whirlwind that is fast becoming a modern staple of the genre - lands with full force in Buffalo Theatre Ensemble’s lively production at The McAninch Arts Center in Glen Ellyn. The show is a reminder of how exhilarating a well‑constructed farce…
Back in simpler times, what seems like decades ago, during a global pandemic, I remember watching an NPR Tiny Desk Concert featuring the Broadway cast of Little Shop of Horrors. In the middle of the string of incredible songs from the show, the songs’ composer Alan Menken sat down at…
“There’s a fine line between compromise and losing yourself.” So many of us have that story of a favorite band. A group brought together by a shared passion and realizes they have that special something that can make them huge. So often that passion takes a dramatic turn, and the…
“Salome” is an opera with an amazing backstory, and comes to us at the Lyric Opera with a content advisory (“adult themes, brief nudity, and disturbing imagery”), especially novel considering this work was first mounted in 1905. No wonder, given the beheading and necrophilic kiss that are at the center…
I WANNA BE A COWBOY is a song by Boys Don’t Cry (lovin’ that band name!).  MY LIFE AS A COWBOY is a play by Hugo Timbrell playing its American premiere at Open Space Arts Theatre. Yippee yo ky yay! and similar assertions of glee and approval! Art is intersectional, and…
Let’s face it – in today’s world, “vaccinations” are a hot-button topic. More than ever, anything around health has become highly politicized, and for some, can elicit a deeply emotional reaction. Therefore, consensus is even harder to come by, and for some, even entering the debate feels impossible. Despite all…
As a lifelong Phantom of the Opera devotee in every form it takes, I was genuinely delighted to see BrightSide Theatre tackling Phantom in Concert. As the title promises, this version reimagines Gaston Leroux’s classic novel as a sweeping musical experience. With actors reading from scripts accompanied by a full…
A quick disclaimer for this review: Couch Penny Ensemble's Everybody, by Branden Jacobs-Jenkins, is written with a caveat for anyone who dares to perform it. At the start of each performance, the actors are randomly assigned their roles by lottery, creating 120 possible cast combinations. In other words, the Everybody I…
As someone who is ever the cynic about telling the same old stories every year under the guise of tradition, A Christmas Carol rarely draws me in. Manual Cinema’s latest production, however, takes a Christmas classic and makes it new again. Told through the eyes of a narrator who shares…
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*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.