Items filtered by date: November 2007

What a truly spectacular event it was that took place on this sixteenth day of April 2009. A raucous affair that shook some people’s worlds upside-down and put others back into their right places. If everything is relative, than it must be relative to something right? I humbly submit that everything is relative to Sleepytime Gorilla Museum, whose music shakes the very fabric of reality and shapes matter into being all around us.

Art gets underway when one of three friends purchases a very expensive painting  - a white canvas. To his chagrin neither of his two friends “get it” in the way he does. While one friend, Marc, is outraged at the acquisition and forthright about his opinion, the other, Yvan, agrees to an extent, but hides his true feelings when confronted by Serge, the buyer. Serge, who is absolutely taken with the painting’s beauty, cannot understand why his friends don’t see it through his eyes.

Ensemble member Tina Landau brilliantly brings the final work of William Shakespeare to life as Steppenwolf Theatre presents The Tempest thanks to her fantastic direction and strong performances by its cast. The performance, which runs through May 31^st, is an ideal blend of humor and powerful drama and is enhanced by its colorful wardrobe and magical scenery. This is the first time in its prestigious history that Steppenwolf has taken on the work of Shakespeare. 

Most “Rentheads” in Chicago probably thought they’d never get the chance to see “Rent” ever again with its original Broadway cast members. Now, for a limited time, they can. Adam Pascal, Anthony Rapp and Gwen Stewart have all rejoined the cast while on its current national tour that can be seen here in Chicago at Oriental Theatre from March 31-April 12^th.

I was happy to see that Davy’s set included the great Monkees songs that he is known most for like “I Want to Be Free” and “Valleri”, but was also pleased to hear him sing songs in which Mickey Dolenz sang the leads such as “Steppin’ Stone”, “Last Train to Clarksville” and “Pleasant Valley Sunday”.

Insanely funny would be the first words that come to mind in describing New Millennium Theatre’s presentation of Police Academy: Insurgency Emergency. Whether you’ve seen any of the seven Police Academy movies or not, you’ll be sure to enjoy this live adaptation directed by Adam Rosowicz who wrote the script along with Matt Russell.

The Last Days of Judas Iscariot is extremely funny at times though it remains thought provoking and poignant throughout. Written by Stephen Adly Guirgis, director Craig J. Engel calls it one of the best scripts he has ever read – and he might be right. Guirgis masterfully blends humor and witty dialogue with the feelings of loneliness, guilt and heartbreak.

Just before tip off, the singing of the national anthem takes on a more meaningful feeling during wartime. I notice a feeling of pride and determination especially during the last few bars when Bulls fans’ cheers drown out the rest of the song.

Fans dressed in gothic attire and many disguised as bloody nightmares entered the ballroom where a giant six-foot-high chainsaw was sitting atop a stage. Resembling something between The Night of the Living Dead and a Nine Inch Nails concert, the crowd was a big part of the show itself creating it’s own brand of entertainment (for people watchers like myself) before the first act even took the stage.

Friday night was a night to remember for music fans that like it hard and heavy, as the Allstate Arena shook nonstop from one thunderous act after another. Burn Halo, featuring singer James Hart (formerly of Eighteen Visions) played as the ticket’s opener and was quick to show they were ready to take on an arena crowd.