Displaying items by tag: Alan Souza

I loved the Disney version of Beauty and The Beast on the big screen and I think children who have been wowed by the movie version will also be wowed by Drury Lane Theatre’s sumptuous stage production as well. Director Alan Souza and choreographer Ron De Jesus pull out all the stops and keep these characters on the run with a high tech revolving set of staircases overlooked by an enormous glowing rose which we all know is counting down the time The Beast has left to woo Beauty and tame his childish self-centeredness in order to release his entire kingdom from the spell cast when he meanly turned away a magic spirit disguised as a poor old crone. 

Drury’s “Beauty and the Beast” contains super solid vocal and comedic performances from ALL of the supporting players in this show, getting superb contributions from characters Lumiere (Tony Carter), Cogsworth (Nick Cosgrove), Babette (Sierra Schnack), Mrs. Potts (Bri Sudia) and her son Chip (Sophie Ackerman), Madam de la Grande Bouche (Catherine Smitko) and Monsieur D’Argue (Billy Rude). 

The magnificently designed, flattering "glow in the dark" period costumes by (Ryan Park) really pop visually and move with each performers while giving you the sense that each person is truly "trapped" in the role of what they did or worked as when the spell was cast, just as many of us feel we are in daily life by our job roles. 

Delightful songs fill the theatre throughout this masterful production. “Be Our Guest” is a true showstopper that, with so many talented dancers, comedians and the brilliantly designed and colorful amazing costumes swirling up and down the ever moving staircases, it makes the whole audience want to race down to the stage and urge Belle to join the Beast for dinner.

Erica Stephan as Belle gives us a gutsy yet sensible and very intelligent portrayal of "Beauty" and little girls will love how she sticks to her guns when insisting that the Beast act like a gentleman and not a bossy, somewhat unmannerly boyfriend. 

Brandon Contreras is a moody, dark version of the Beast but his shy sense of humor and triumphantly rich vocal range make his performance one that takes a while for Belle to warm up to but finally endears him to her and the audience, as his complex emotions for Belle finally shine out when he is able to make tender his actions AND words towards her. 

Mrs. Potts (Bri Sudia) is another character actress who has an amazing vocal range and her songs are deserving of special notice because they are so well delivered vocally along with her gift for physical comedy.

The play’s nemesis, Gaston, played by Mark Banik is a suitably sexist but not too scary Gaston and delivers some great physical comedy as well. 

It's true that this story like many fairytales starts out with a beautiful yet intelligent heroine with two equally awful men to choose from (or run from in this case) and ends up with marriage to a Prince as the end goal. But at least "Beauty and The Beast" requires the complete transformation of one of the "beasts" chasing after her hand in marriage into a man deserving of her love instead of a brute that she must endlessly battle for respect. 

As one of the best all-around productions I've seen in a long time, I highly recommend this stunning, exciting and fast-paced musical to young and old alike this Holiday Season. I was blown away by visually stunning set and the tremendous talent assembled for this show and I think you will be, too. 

“Disney’s Beauty and the Beast" will be performed at Drury Lane Theatre in Oakbrook through January 27th. www.drurylanetheatre.com

Having seen the Donny Osmond and even the Patrick Cassidy productions of Andrew Lloyd Webber's colorful telling of the Joseph story years ago, I remember really enjoying them in a children's theater sort of way. The characters are colorful, the story has a good lesson and the songs catchy. Upon seeing Drury Lane’s spectacular re-imagining of Joseph and the Amazing Technicolor Dreamcoat, I couldn't even remember what the original story line was about. Which turns out to be a good thing! I got to relive the adventure all over again, and this time with several big changes to the traditional production.
 
The pyramids of Egypt are replaced with the pyramid of The Luxor Hotel in Las Vegas and much of the "dreamer’s dreams” dreamt by Joseph are played out with much talent right there in his decidedly low luxury level Luxor hotel room, complete with an overlooking view of The Strip.
 
The narrator has been replaced with the amazing singular talent of Christina Bianco, a world renown singer and impersonator of our generations greatest singers. Bianco blows the audience away with technically difficult and spot on - sometimes hilarious - impersonations of Britney Spears, Cher, Liza Minelli, Shania Twain, Bernadette Peters and even Edith Piaf! Having a woman narrator with such brilliant singing skills that she becomes literally "everywoman" is a very refreshing and funny delight throughout the show. 
 
Directed with ballsy style by Alan Souza with choreography by Grady M. Bowman, the dance numbers, which include Vegas style showgirls and Joseph’s brothers who double as "showgirls in drag" at one point, are absolutely fantastic! 
 
The effect of the many complicated and energetic dance numbers all dressed up in Ryan Park’s modern silk and Vegas-style costumes and Claire Moore's deliciously designed wigs is one of bewildering entertainment with almost too many great dancers to take in all at once. 
 
In another break from the traditional production, Elvis Presley was also replaced in this show with Elton John - perhaps a contemporary nod to the LGBTQ community. 
 
Evan Alexander Smith who plays Joseph as a nerdy, confused young man fell short for me. Although Smith has a great singing voice in general, his lackluster, befuddled portrayal of Joseph left me wanting someone with more star quality at any age in that role. Unfortunately for Smith, it would probably take someone with Donny Osmond's level of sex appeal and onstage charisma to have been be able to play the essential lead role in a way that wasn't dwarfed so completely by Christine Bianco's many talents. 
 
The musical is based on the Biblical story in Genesis of Joseph’s who receives nothing but jealously from his eleven brothers after their father, Jacob, gifts him with a colorful coat. Beaten and left for dead by his own siblings, Joseph is kidnapped up by slave traders and taken to Egypt. It is after his ability to translate dreams reaches the pharaoh, that his life takes an unexpected turn.
 
This production is absolutely nothing like the "Technicolor Dream Coat" Chicagoan's have been taking their kids to for decades, and at times is a bit confusing while following the quickly moving lyrics as they are now delivered in such a unique way especially by Bianco. But as an adult wanting to see a fresh, fun and sexy version of the Joseph story, I was really blown away by the blast of color, powerful sound and spectacle delivered by the entire cast and design team. 
 
Joseph and the Amazing Technicolor Dreamcoat, currently being performed at Drury Lane Theatre in Oakbrook through March 25th, is a lively musical that dazzles visually and includes all around excellent performances from its gifted cast. For more show information visit www.DruryLaneTheatre.com.