Displaying items by tag: Ethan Peterson
The Dancing Delivers What the Dialogue Doesn’t in Dirty Dancing: The Musical
In a world of theatrical adaptations, there really are two kinds: some reinvent their source material, becoming their own “new” art, while others understand that the real pleasure they provide is in the audience seeing some beloved thing from the past brought back to life. Dirty Dancing: The Musical falls firmly into the second category. Is it a great musical? Not quite. But that’s not its purpose. As a pop-culture ritual connecting a multigenerational audience over their shared love of a movie (which never tried to be “great” cinema, either), it is undeniably effective. And with Dancing with the Stars returning next week (surely a favorite for this musical’s audience), the timing of this particular Broadway in Chicago production’s exceptional ballroom dancing could not have been better.
With original screenplay and book by Eleanor Bergstein and direction by Lonny Price, the adaptation recreates the film largely through its familiar soundtrack, supplemented by a handful of original songs. It quickly becomes clear that the production was cast with dancing as its first priority. That choice pays off whenever the music takes over: the cast members are remarkably skilled dancers, and the show’s most kinetic sequences capture the sensuality and excitement audiences expect from Dirty Dancing. Much of that impact comes from choreographer Darrell Grand Moultrie, whose work channels the film’s sensuality and athleticism with precision.
That energy largely disappears, though, when the dancing stops. Unfortunately, dialogue is often delivered with a stiffness that makes the performances feel robotic, leaving little sense of genuine connection between the characters. The chemistry missing from Baby and Johnny’s romantic scenes is just as absent from the story’s confrontations, friendships, and family relationships.
Blake Zelesnikar (Johnny Castle) and the DirtyDancing: The Musical Company. Photo by Matthew Murphy.
Almost as noticeably, the ensemble rarely displays the tight-knit community that should exist among Kellerman’s dance staff. These characters live and work together within the same rigid system; their relationships should feel immediate and deeply established. Instead, much of the large cast feels underutilized, when not simply crowded on the stage. The exception is the final number at the end-of-season talent show, when everyone suddenly moves with the same electric energy. It sends the audience out on an undeniable high, while also revealing how much more vibrant the entire production could have felt with that sense of spirit throughout.
Vocally, the cast is professional and polished, with two extraordinary exceptions: Ethan Peterson as Billy Kostecki and Ashley LaLonde as Elizabeth. Their voices are absolutely stunning. Nearly every pin-drop emotional moment in the production comes not from the dramatic plot, but from one of them singing.
Alongside its dancing among the production’s greatest triumphs is its scenic design, which transports us to the 1960s Catskills. The work of scenic designer Brett J. Banakis, costume designer Linda Cho, and lighting designer Japhy Weideman is central to creating that world. The set does not rely on spectacle or theatrical magic but is astonishing because it’s so perfectly planned and constructed to hold every corner of Kellerman’s – from polished guest spaces to humbler staff quarters, indoors and out. Seamless transitions allow locations to shift smoothly without interrupting the story’s momentum. I only wish the choreography had taken greater advantage of that flexibility, using the architecture to create more breakout moments for an ensemble overflowing with talented dancers.
Ultimately, Dirty Dancing: The Musical succeeds at recreating the movie onstage but rarely explores what live theatre could add to it.
But despite any limitations, this production provides exactly what its audience desired: an enjoyable night powered by nostalgia, tremendous dancing, and a finale worth waiting for – even if it never becomes an exceptional musical independent of the film audiences already love.
Dirty Dancing: The Musical runs at the James M. Nederlander Theatre through September 20th. Tickets are available at https://www.broadwayinchicago.com/shows/dirty-dancing-the-musical/.
The Dancing Delivers What the Dialogue Doesn’t in Dirty Dancing: The Musical
12 September 2026 in Theatre in ReviewIn a world of theatrical adaptations, there really are two kinds: some reinvent their source material, becoming their own “new”…
Divergent Viewpoints Distract: The Birth of the Pill at Timeline Theatre
11 September 2026 in TheatreThere are always two sides to every story. The writer or playwright will tell a story offering key details and…
GDC Premieres New Work by Al Blackstone in "untamed passion" at the North Shore Center November 6th and 7th
10 September 2026 in Upcoming DanceGiordano Dance Chicago (GDC), America's original jazz dance company, returns to the North Shore Center for the Performing Arts in Skokie, 9501…
Dance Theatre of Harlem returns to Chicago for first time in 10 years at The Auditorium October 17th
10 September 2026 in Upcoming DanceThe Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) begins its 2026-27 Dance Season titled North American Dance…
The Gift Theatre announces casting for Netta Walker's Hayward
09 September 2026 in Upcoming TheatreThe Gift Theatre, led by Artistic Directors Brittany Burch and Jennifer Glasse, continues its 25th Anniversary Season with the world premiere…
Steep Opens New Home with Simon Stephens' U.S. Premiere A Slow Fire
09 September 2026 in Upcoming TheatreSteep Theatre will open its new theater this coming January with the U.S. Premiere of playwright Simon Stephens' A Slow…
2027 Illinois High School Musical Theatre Awards School Applications Now Available
09 September 2026 in Theatre BuzzBroadway In Chicago is delighted to invite high schools across the State of Illinois to participate in the 16th Annual Illinois High…
Full Casting Announced for Steppenwolf Theatre Company's ADIRONDACK CHAIR CIRCLE – October 22 – December 6, 2026 – World Premiere!
08 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to announce full casting for its world premiere of…
Porchlight Announces "Little Shop of Horrors" Cast & Creative Team
08 September 2026 in Upcoming TheatreThe award-winning Porchlight Music Theatre is proud to announce the cast and creative team of the first mainstage production of…
Chicago Premiere of Tin Drum Theatre's A DARK WOOD to be performed at Greenhouse Theater Center, Oct 15 - Nov 1
08 September 2026 in Upcoming TheatreTin Drum Theatre Company is proud to announce that tickets are now on sale for the Chicago premiere of A Dark Wood, October…
Embrace The Change: Menopause the Musical® 25th Anniversary Tour to play Aurora’s Paramount Theatre Saturday, October 17 at 3 p.m.
08 September 2026 in Upcoming TheatreThe hilarious musical parody Menopause the Musical® is on a 25th Anniversary National Tour this fall, and Aurora’s Paramount Theatre is the…
Paramount’s Mean Girls Delivers a Fierce, Fetch Night Out
07 September 2026 in Theatre in ReviewThis new staging of Mean Girls the Musical, now playing at Paramount Theatre in Aurora’s downtown theatre district, brings Tina…
The Man Who Fell - Trap Door Theatre - Through September 19th
07 September 2026 in Now PlayingTrap Door Theatre is thrilled to begin its 33rd season with the World Premiere of The Man Who Fell with…
Gabriel Garcia Marquez's Dark Children’s Tale Translates to Stellar Show in ’The Man Who Fell with the Rain’
06 September 2026 in Theatre in ReviewAn exceptionally good show is now on stage at Chicago’s Trap Door Theatre. This wonder—The Man Who Fell with the…
'The Snow Queen' presented by The Impostors Theatre Co. November 6th through November 21st
04 September 2026 in Upcoming TheatreAfter their award winning year, The Impostors Theatre Company (ITC) opens Season Eight with the highly anticipated world-premiere of The…
City Lit announces August Wilson's KING HEDLEY II October 16 through November 29 - here the cast
04 September 2026 in Upcoming TheatreFull cast and production team have been announced for City Lit's production of August Wilson's KING HEDLEY II, to play…
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
04 September 2026 in Theatre BuzzIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters,…
Joffrey Ballet announces planned leadership transition: President and CEO Greg Cameron to depart in December 2027
04 September 2026 in Theatre BuzzThe Joffrey Ballet today announced that President and CEO Greg Cameron will depart in December 2027, concluding a 15-year tenure that transformed the…
The Best of Us: Marriott Theatre’s Come From Away
03 September 2026 in Theatre in ReviewCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady,…
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
02 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning…
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
01 September 2026 in Dance in ReviewThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend…
Vape! The Grease Parody Is High-Energy Fluff
01 September 2026 in Theatre in ReviewVape! The Grease Parody, currently running at Chicago’s Apollo Theater through January, takes a satirical swing at the iconic 1978…
BrightSide Theatre Announces "Monte Carlo Night" 15th Anniversary Gala and Fundraiser on September 25
01 September 2026 in Theatre BuzzBrightSide Theatre will celebrate its 15th anniversary with "Monte Carlo Night," a gala and fundraiser, on Friday, September 25, 2026,…
GDC Hosts 19th Anniversary “Dancing With The Giordano Stars” Ballroom Dance Competition October 8th
01 September 2026 in Upcoming DanceGiordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8…
A Loving, Delight‑Packed Celebration: Joan Crawford Goes to Hell Marks 25 Years of Handbag
31 August 2026 in Theatre in ReviewHell in a Handbag Productions celebrates its 25th year with a revival of Joan Crawford Goes to Hell, a sharp,…
An Immersive Sunday in the Park with George at Kokandy Productions
31 August 2026 in Theatre in ReviewComposition, tension, balance, light, and harmony come together seamlessly in Kokandy Productions’ revival of Sondheim’s opus, ‘Sunday in the Park…
Robert Falls to Direct the World Premiere of FLYING MONKEYS, by L.C. Bernadine, at Redtwist Theatre, Dec 6 - Jan 17
31 August 2026 in Upcoming TheatreAward-winning Redtwist Theatre, launching its 22nd season with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director Dusty Brown, announces today…
Buffalo Theatre Ensemble Names Daniel Millhouse as New Managing Artistic Director
31 August 2026 in Theatre BuzzBuffalo Theatre Ensemble (BTE), the professional theater company in residence at the McAninch Arts Center (MAC), is pleased to announce that, in keeping…
Blood of the Lamb - The Den Theatre - Through October 3rd
31 August 2026 in Now PlayingPromethean Theatre Ensemble announced today it will offer post-show audience talkbacks following two performances of their Chicago premiere of BLOOD OF…
City Lit’s Shane Saddles Up a Classic Western With Fresh Heart
30 August 2026 in Theatre in ReviewCity Lit Theatre’s world premiere of Shane, adapted for the stage and directed by Mark Pracht, brings a fresh, nostalgic…
Latest Articles
-
The Dancing Delivers What the Dialogue Doesn’t in Dirty Dancing: The Musical
Written by Maddie BurroughsIn a world of theatrical adaptations, there really are two kinds: some reinvent their source material, becoming their own “new” art, while others understand that the real pleasure they provide is in the audience seeing some beloved thing from the… -
Divergent Viewpoints Distract: The Birth of the Pill at Timeline Theatre
Written by Kendall RoyzenThere are always two sides to every story. The writer or playwright will tell a story offering key details and scenes that move the story forward in the way that leads the audience to a message or conclusion the writer… -
GDC Premieres New Work by Al Blackstone in "untamed passion" at the North Shore Center November 6th and 7th
Written by Buzz Center StageGiordano Dance Chicago (GDC), America's original jazz dance company, returns to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd. at 7:30 p.m. Friday, Nov. 6 and Saturday Nov. 7. The engagement, part of GDC's 64th season, features the… -
Dance Theatre of Harlem returns to Chicago for first time in 10 years at The Auditorium October 17th
Written by Buzz Center StageThe Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) begins its 2026-27 Dance Season titled North American Dance with a highly anticipated performance by the acclaimed American ballet company Dance Theatre of Harlem (DTH). The evening marks the company's first…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.