Displaying items by tag: Eugene lonesco

“Victims of Duty” starts with Madeleine (Karen Aldridge) sitting aside a clawfoot tub where she knits silently as her husband, Choubert (Guy Van Swearingen), reads the newspaper from his chair. Breaking the silence, she finally asks if there is anything knew in the news. There is not. Same old, same old. Their conversation centers on the humdrum of society. We sense a strong boredom between the two. Madeline enjoys the theatre, but Choubert points out how mysteries are so predictable – crime, detective (Michael Shannon), solved. It is then a knock is heard at their neighbor’s door. The two make little of it. Not much longer, the knock is heard at their own door. Enter the detective. This excites Madeline. She asks him to come in, but at first he says he can’t stay. He’s running late, he shows them his watch. He then comes in. He just has a few questions to ask them. When the two are asked about a missing neighbor, “Mallot with a ‘t’ at the end”, the mundane quickly turns into an introspective journey filled with twists and turns (literally) Choubert and Madeline will never forget.

Written in 1953, French-Romanian playwright Eugene lonesco taps into his own psyche in what is considered his most biographical piece. Choubert’s voyage includes real-life experiences of lonesco such as his tumultuous relationship with his father and a memory where he holds his mother’s hand along the Rue Blomet just after the bombing. “Murder for Two” is as penetrating as it is suspenseful as Choubert is forced to face his deepest fears. Michael Shannon as the detective or “Chief Inspector” is as powerful as they come as he guides Choubert through every step into his subconscious. He plays his character with ferocity and yet with a vulnerability that we can easily relate to as viewers, and to see the passion that Shannon so often exudes on the big screen in such an intimate setting is almost overwhelming. Karen Aldridge also puts forth a powerhouse performance as Madeline and does so by going through a gamut of emotions without skipping a beat. Rounding out the main trio is Guy Van Swearingen as Choubert who not only impresses with finessed acting ability but adds plenty of meat to the role with a strong physical performance, most of which is done while soaking wet. Richard Cotovsky (Mary-Archie Theatre fame) also makes a splash (again, literally) as French poet Nicholas D’eu.

Astutely directed by Shira Piven, takes this one-act play and runs with it showing provocative imagery at just the right moments to add to the show’s intensity. With an artistic team of Danila Korogodsky (Production Designer), Mike Durst (Lighting Designer) and Brando Triantafilou (Sound Designer), all the right touches are in place to make this a truly unique theatre experience. And smartly so, Artistic Director Kirsten Fitzgerald brings back Shannon and Swearingen who reprise the same roles they undertook in 1995 when the play first hit A Red Orchid Theatre. To round out the list of returnees, Piven also directed the play’s first run while Korogodsky was on hand as Production Designer.

“'Victims of Duty’ was the very first show I ever saw at A Red Orchid,” says Fitzgerald. “I am not entirely sure lonesco’s investigation of life made logical sense to me at the time, but it made perfect emotional sense and was viscerally stunning. So much so, that I knew I needed to work with these people in this space. That was 1996. With many of the originals returning, the investigation promises to go even deeper.”

Outside of memorable performances and its unusual setting, what makes this play so engaging is how much is left to the audience’s interpretation. Undoubtably, there are several certain moments that will relate heavily with many. There are several questions posed in the concentrated 90 minutes. Are we the victims of duty? Is it because of our place in the system that our actions should be forgiven to those we affected negatively? For instance, as Choubert speaks with his father – a former soldier - whom he has been so filled with anger for so many years, perhaps realizing that the chain reaction set off by his father’s “duty” must be recognized as the source of certain intrinsic behaviors that could not be helped rather than taking all actions at such a personal level. Maybe he should forgive his father. Maybe we should all have a deeper understanding of those around us and realize how being in such a system, whether the role that had to be taken on, has affected those they love.

Highly recommended.

“Victims of Duty” is being performed at A Red Orchid Theatre through August 5th. For tickets and/or more information visit www.aredorchidtheatre.org.