
Who’s to say how we each should be identified? Whether labeled as a man, woman or even a dragon, those are in fact just that – labels. So why should others tell us how we ought to perceive ourselves? That premise is the foundation in New Colony’s latest production “Kin Folk”, currently being performed at The Den Theatre in Wicker Park. “Kin Folk” is a well-taught lesson on becoming comfortable in our own skin without being influenced towards self-doubt by those who are quick to tell us what we should be.
After losing their parents, three sisters, Lucy, Eleanor and Mary, gather at their suburban family home while waiting for it to sell. Sitting around a dining room table, each mulls about the future. Eleanor discuss her new life as a newly transitioned woman while Lucy and her husband Toby talk of plans to move to Chicago. Toby wants to move near his church where he can become more involved, often inviting Eleanor to his progressive place of worship that doesn’t care who uses what washroom. The talk is light, the banter pleasant and nothing that is really out of the ordinary.
However, the story takes a big turn when, unknown to the rest of the group, it is discovered that Lucy belongs to a community called Otherkin. Otherkin is a group that encourages people to live as their “true self”, identifying as magical creatures such as a dragon, which Lucy declares herself to be. Lucy, now known as Kreeka, befriends Atherin who leads her to meet Blubberwort, a giant gnome who helps guide her even further down her path of self-actualization. She eventually meets a werewolf named Dusk via a community chat room with whom she instantly clicks and quickly confides.
It’s not long before her family discovers her secret, leaving Lucy to make the tough decision of choosing them or her life with Otherkin. Or can she have both?
I really enjoyed the production’s overall theme and its flavor of humor. The journey is a fun one to watch, as the play is laced with the perfect measure of silliness while not going so far over the top that its message becomes diluted. In fact, it is an effective eye opener as to what people may feel inside but are afraid to state publicly. While Eleanor’s story is already compelling as she begins her new life as the woman she knows she has always been, the parallel story line of Kreeka, though a world recognizing themselves as non-human beings, only adds conviction to the fact that we are who we feel we are.
“Kin Folk” offers a lively cast that provides plenty of strong acting performances. Annie Prichard is just wonderful as Lucy/Kreeka and really gets to show off her comedic talent while Chris Fowler also delivers as Toby, displaying a well-rounded performance altogether. Vital components to the success of the show’s humor, Andrew Hobgood (Blubberwort) and Steve Love (Arethin) both get a lot of well-earned laughs in their roles as Otherkin Folk.
Evan Linder does a delightful job directing this play written by William Glick, nicely capturing the essence of each character while delivering Glick’s message with just the right mix of wit and sentiment, making this a summer event to add to your “must do” list. This is a play that is sure to bring out the genie, vampire, fairy or whatever it may be that surfaces within yourself.
“Kin Folk” is being performed at The Den Theatre through August 14th. For tickets and/or more show information visit www.thenewcolony.org.
CALL ME ELIZABETH, a one-woman show about the life of Elizabeth Taylor, will be presented May 8-10 by PrideArts at the Hoover-Leppen Theatre…
Gatecrashers. That’s the term newspapers nearly 100 years ago called the works of self-taught artists when they began “crashing the…
safronia at Lyric Opera of Chicago emerges as a deeply personal story of the Great Migration - one that resists…
Steppenwolf Theatre Company’s, Windfall arrives with all the promise its pedigree suggests. Written by Academy Award–winning ensemble member Tarell Alvin…
Mother-daughter relationships are somehow deemed different. More seminal than the bond between a father and son. More instinctive than between…
Broadway In Chicago is excited to announce that the smash hit Broadway musical and global sensation, THE GREAT GATSBY, based on the beloved…
AstonRep Productions, the theatre and film production company that has produced over 30 stage productions in Chicago, has announced it…
Everyone encounters many crossroads in their lives, where they make a choice that determines the future…and many people live to…
On Monday, May the 4th, Steep Theatre will present the first public staged reading of playwright Dan Aibel's new work The…
Porchlight Music Theatre is proud to announce its 32nd season launching in September at The Biograph Theater, 2433 N. Lincoln Ave., with the…
Jackalope Theatre Company is proud to present the world premiere of Andy Warhol Presents: The Cocaine Play, written and directed by Terry Guest, May 28…
Chicago Opera Theater (COT) closes its 2025/26 season with the concert premiere of a new opera Trusted - the seventh full-length opera developed through…
From the moment BOTH starts, the play demands attention. Flashing lights, sirens, and the sounds of heavy breathing build as…
Screwball comedy went the way of the dinosaur after the 1940s, but Northlight Theatre attempts to revive it with The…
Steppenwolf Theatre Company's acclaimed Ensemble and Board of Trustees are pleased to host Steppenwolf Gala 2026, an unforgettable evening that continues the…
Broadway In Chicago is pleased to announce that individual tickets for the North American Tour of WATER FOR ELEPHANTS , A New Musical…
Marriott Theatre’s Heartbreak Hotel takes on the tricky task of charting Elvis Presley’s early ascent, walking the line between the…
Sustaining legacy is no simple task, especially when considering the arts. How do you preserve continuity of spirit while simultaneously…
The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and The Chicago Philharmonic in association with TCG Entertainment, continue the Auditorium Philms…
Promethean Theatre Ensemble has announced it will perform the Lewis Galantiere adaptation of Jean Anouilh's ANTIGONE, from May 31 through…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its 2025/26…
The producers of & Juliet and Broadway In Chicago announced today that pop music superstar Joey Fatone will join the North American Tour company of the smash…
Fleetwood-Jourdain Theatre today announced full casting and production team for its season-opening production of GEE'S BEND, the 2008 play by Elyzabeth Gregory Wilder, to…
Writer and performer Eileen Byrne brings her acclaimed one-woman play Running with Coffee to Chicago for two performances only, presented at Lookingglass Theatre Company's…
Drury Lane Theatre announces the appointment of Matthew D. Carney as its new Artistic Director. A longtime collaborator and key member of…
Definition Theatre is proud to present the Amplify World Premiere of Keerah, a quick-witted dramedy by playwright Netta Walker and directed by McKenzie Chinn. Keerah will…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: WAITRESS and THE BOOK OF MORMON. Current…
The 1950s is easy to idealize. Men styled tailored suits, women dazzled in pleated dresses, and everything glimmered like it…
It’s no secret every new dance season is filled with its own undercurrent of anticipation. Regardless of the company, audiences…
Theresa Rebeck’s Poor Behavior at Oil Lamp Theatre, directed by Lauren Katz, opens with the easy warmth of old friends…
Intuit’s New Exhibits Spark Verve Through Art
Redtwist’s Sobering ‘night Mother Asks Us to Look for the Unseen
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.