
What’s the big deal about Sherlock Holmes? What is it that makes Sir Arthur Conan Doyle work some of the most well-known mysteries of all time? Sherlock Holmes and his adventures were published over a century ago, yet Doyle's writing has continuously surfaced through time on film, television, and theater. Could it be that Sherlock Holmes is simply a magnetic character that draws you in with his attention to detail, bravery, intellect, and supreme confidence? Or is it Doyle’s swift pen and ability to craft a memorable mystery? Terry McCabe’s adaption of The Hound of Baskervilles at City Lit Theater showcases Doyle’s writing at its finest.
Sir James Mortimer requests the service of Sherlock Holmes and Dr. Watson after his friend Sir Charles Baskerville dies suddenly from a heart attack. The expression on his face was one of horror. He goes to tell the infamous tale of the hound that haunts the men of Baskervilles and reveals that he discovered paw prints near the scene of the crime. Sherlock finds the tale of the hound ridiculous, but the details of the case interest him enough to investigate. Baskerville’s heir, Henry Baskerville, arrives from America to claim his inheritance with an anonymous note warning him to stay away for Baskerville’s Hall. Out of fear for Henry’s life, Holmes task Dr. Watson to accompany Henry and Mortimer to the Baskerville’s Hall, an isolated mansion surrounded by miles of wild moor. There Dr. Watson encounters shady characters, sounds of horror at night, and an escaped prisoner hiding among the moor. Holmes and Watson uncover it all and in the end discover that the truth was more terrifying than what they’d imagined.
James Sparling (Sherlock Holmes) appears on the stage as an almost spitting image of the great detective. He steps on and off the stage and snatches the audience’s attention with his movement and spot-on delivery. Adam Bitterman (Dr. Watson) reprises the role for the third time at City Lit theater. Bitterman’s talent and experience with the character may very well be the reason why he takes such a vigor command of the role. In this adaption, Bitterman is tasked to narrate and drive the play and does it without skipping a beat.
At a theater that was founded in 1979, City Lit continues to host gripping productions, but the small stage inevitably fails its material. The Hound of Baskerville is a story involving chase, a dark, foggy moor, an isolated mansion, and a vicious hound. These are elements that are left up to the imagination of the audience. Though this doesn’t ruin the production it gives moments of disappointment that makes you yearn to see a hound that’s asleep somewhere far away.
Bitterman’s performance allows the audience to understand why Doyle never wrote a mystery from Sherlock’s perspective. To watch Sherlock as Watson does and anticipate his arrival, wait anxiously for his conclusions, intertwines with the excitement of the mystery. Dr. Watson has never been as alluring as his counterpart, but he also never lost his ability to remain the most relatable character in Sir Arthur Conan Doyle’s world.
Through November 10, 2019 at City Lit Theater.
Broadway in Chicago and producers Starvox Entertainment and June Entertainment present “Sherlock Holmes”, starring the often very funny David Arquette in the title role that is based on the shrewd detective in the Sir Arthur Conan Doyle mystery novels.
Now, I like David Arquette, I think he’s a talented comedic and dramatic actor and obviously he has the chops to pull of this role but so many things conspired to make this production an overly long, campy but not funny mess. I’m at a loss to describe them all.
I’ll just keep it short. First, the stage which was very modern, stark, and cold did nothing to clarify where any of the characters were at any time in the show. The set was accented only by slightly different chairs and red, black and grey lighting changes. Although Arquette, as Sherlock Holmes, struggled to pull off a few laughs here and there with his flamboyant drug using character, everyone else seemed to just be shouting at each other and racing about willy-nilly like the Keystone Cops the whole play, as if pretending to be an old 20’s movie version of the play. Perhaps there may be room to turn Sherlock Homes into a comedy, but the writers missed the mark on this one.
James Maslow, stars as the legendary Dr. John Watson, along with Renne Olstead as the well-to-do-American, Lady Irene St. John. Olstead is best known for her roles as Lauren Miller in the TV sitcom "Still Standing”, and as Madison Cooperstein in "The Secret Life of the American Teenager”.
I honestly think if they cut the show down to 90 minutes from 2 and one half hours, people might have left saying that it was an interesting and modern take on an old classic. However, this cold, campy and dark version of the show did little to satisfy real fans of Sherlock Holmes. The head-scratching crimes were not as engaging as one would have hoped and the laughs not as big. Though nice to see Arquette on the stage, I hope to see him return in a more entertaining production. You can only do so much with the material given.
This new and original adaptation inspired by Doyle's classic detective tales by playwright Greg Kramer and directed by Andrew Shaver is scheduled to play Chicago's Oriental Theatre (24 W Randolph) November 24 - 29, 2015. For tickets and more show information visit www.broadwayinchicago.com.
I just love a good whodunit. Who killed who, how and why – the suspects, the accusers, the whole shebang. The Game’s Afoot, currently running at Drury Lane Theatre in Oakbrook, is just that – murder, suspense and also plenty of laughs.
The Game’s Afoot by Ken Ludwig, author of “Lend Me A Tenor” and “Moon Over Buffalo”, is a very engaging mystery/comedy that revolves around William Gillette, an actor best known for his on stage portrayal of the famous sleuth, Sherlock Holmes. We are taken back to Christmas Eve, 1936, where Gillette hosts a dinner party for some of the cast members in his latest production. It’s a wintry night as the guests arrive throughout the early evening to Gillette’s Connecticut mansion. Soon after guests acquaint themselves with each other, a murder takes place and Gillette calls himself into action as his Sherlock Holmes character in order to solve the mystery. Hilarity ensues as everyone becomes a suspect, including Gillette himself.
The Game’s Afoot is anchored with a fine cast, most notably Derek Hasenstab as the energetic and always deducing, William Gillette, and Angela Ingersoll as the vivacious Daria Chase. Hasenstab recalls, “I love William Gillette and I like Ken Ludwig’s writing. He writes fun stuff for the actors to play with.” Rod Thomas also makes a splash as Gillette’s longtime friend, Felix Geisel.
Incidentally, Gillette is based on an actual person. Gillette wrote the stage version of Sherlock Holmes back in the late 1800s, adding to the character the pipe and deerstalker cap. Hasenstab adds, “He was an eccentric person. He built a castle in Connecticut, he was an inventor and he loved keeping up with the technology of the day.”
The show is set in the inside the living room of Gillette’s mansion and is quite jaw-dropping once exposed as it is lavishly rich and has murder mystery written all over it. Snow constantly falls behind its large windows giving the desired effect of a winter storm, while an entire wall spins back and forth from fireplace and mantle to cocktail bar with the pull of a lever – a sconce near the living room’s entrance way.
The show has some pretty funny moments but is really consistently humor rich from beginning to end, at the same time presenting a compelling enough mystery to entertain on its own. The characters are quirky and likeable – more so as you get to know them, and one kind of gets the feeling that they are part of the dinner party even though they might be rows away from the stage.
The Game’s Afoot is simply fun. If you, like myself, enjoy whodunits, you’ll really find this show a treat.
For tickets and/or more show information, visit www.drurylaneoakbrook.com.
Some stories refuse to fade with time, and Brokeback Mountain is one of them. What began as a modest short…
There’s something magical about stories. Stories have the power to transcend time, reaching across the centuries to share their thoughts,…
Produced in partnership with JunkHeart, The Metal Shop Performance Lab is proud to announce the cast and creative team for Anatomy of a Suicide, August…
Black Ensemble Theater Founder and Executive Director Jackie Taylor proudly announces Black Ensemble's Juneteenth Prelude: Celebrating Freedom and Black Expression, as part of…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Award-winning Redtwist Theatre presents Deserted, playing June 14 through August 2, a world premiere by Melanie Coffey and directed by Laura Sturm*, at Redtwist Theatre, 1044 W. Bryn…
Black Ensemble Theater continues its 50th Anniversary Season with the return of the celebrated musical revue Men of Soul, written and directed by Artistic…
Now fully activated, Collaboraction Theatre Company’s new House of Belonging in the Kimball Arts Center, 1757 N. Kimball Ave in…
Definition Theatre's Amplify New Play Program exists to elevate emerging voices, and Netta Walker's keerah certainly arrives with ambition. Loosely…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
No Dogs in the Kitchen Theatre is thrilled to continue its third season with The Importance of Being Earnest, written by…
Following is critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen…
Some theatrical experiences ask you to sit back and watch. "The Last Word" invites you to pull up a chair,…
Paramount Theatre’s smash hit, immersive musical Million Dollar Quartet wrapped its spring run at downtown Aurora’s Stolp Island Theatre this…
Paramount Theatre is proud to host the world’s most influential name in comedy, The Second City, back for for a…
Studebaker Theater (Erica Berger and Jacob Harvey), P3 Productions (Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin) and Audible, in collaboration with Teatro Vista…
About Face Theatre is proud to announce its 32nd season featuring the Pulitzer Prize winning musical A Strange Loop and the Midwest Premiere of i…
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Award-winning Porchlight Music Theatre announces today that the recent stars of Porchlight in Concert’s production of Follies, Tony Award-nominee Felicia P. Fields and Broadway’s…
Hot off their record-breaking, award-winning runs of Jekyll & Hyde and Amélie, Kokandy Productions is pleased to launch its 2026 Season with the revolutionary "love-rock"…
Babes With Blades Theatre Company’s (BWBTC) 2026 season opens with a world premiere, yo ho., by playwright SMJ, directed by JD Caudill and fight choreography by Carly…
PrideArts announced today that Craig Ramsay and Catherine Wreford will bring the magic of Broadway to the Hoover-Leppen Theatre at…
Music Theater Works is proud to announce the cast and creative team for the second production of its 2026 season, West Side…
David Koechner stormed into The Den Theatre’s Mainstage this weekend with the kind of unruly, big‑hearted presence that instantly reminded…
Chicago continues to produce some of the most exciting work in the country this Summer, offering a wide variety of plays…
Spaceman, presented by [producingbody], touches down at The Edge Off-Broadway with a quiet, unnerving force, pulling audiences into the fragile…
Set in Chicago’s oldest fire station (now Firehouse Art Studio) the immersive play "Fire House” is only loosely tethered to…
Spamalot rides into the Windy City courtesy of Broadway In Chicago, inviting theatergoers to join King Arthur’s quest now through…
Collaboraction Theatre announces June shows and events in its new House of Belonging in Humboldt Park
Redtwist Theatre presents Anatomy of A Suicide August 12-30
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.