“South Pacific” is a timeless Rodgers and Hammerstein's musical full of wonderful romance and social commentary about racism that is important for young and old to experience today and I was thoroughly impressed with Drury Lane’s warm, happy, romantic interpretation of the classic show. It is the latest of shows to run at the theatre and perhaps the best I can remember in recent history.
Taking place on a South Pacific island during World War II, the plot revolves around Ensign Nellie Forbush, an American nurse, who falls in love with a French plantation owner, who is middle-aged and quite a bit older than her. It is when she discovers Emile de Becque’s children from his late, Asian wife, that she struggles with her own prejudices. As the island hosts American naval troops, nurses and its own natives, another love story develops between the handsome, young Lieutenant Joseph Cable and a beautiful Tonkinese woman, Liat. But he, too, fears the social costs.
Each and every voice in this production is outstanding. Robert Cuccioli as Emile de Becque really played the role nicely with a good sense of humor and his vocal numbers soared with great feeling and the experience of a seasoned pro bringing the entire audience under the spell of new and intoxicating island romance. Cuccioli has a wonderful, rich operatic voice and is very likable in the role, leaving us little doubt to his ability as a talented vocalist with his final, powerful note of “Emile’s Terrace” to close out Act I.
Samantha Hill as the down to earth “hick” “Ensign Nellie Forbush” is a pleasure to watch. Hill also has a gifted voice and her enthusiastic, good natured portrayal of Nellie falling in love with De Becque during “(I’m in Love with) A Wonderful Guy” was exactly the type of joyful, naïve, and honest portrayal of true love and excitement that the play needs to counter the heavy nature of the tragedy of war.
The musical, well-directed by Victor Malana Maog, also includes perhaps one of the strongest supporting casts in any production of “South Pacific” I have ever seen. Yvonne Strumecki is absolutely stunning as “Bloody Mary”. Strumecki’s vocals are rich and impressive and she is able to both hit the high notes and get the laughs in this role, which can be heavy handed if not approached just the way she did, with more warmth than anger. Strumecki’s voice is simply beautiful during my favorite song from the show, “Bali Hai,” and both desperate and wry during “Happy Talk,” as she tries to talk the Lt. Joseph Cable into staying with her beautiful native daughter, Liat.
As Lieutenant Joseph Cable, Austin Colby stuns the audience with his rendition of “Younger then Springtime,” his voice angelic and finely finessed – literally a show stopping moment.
In this well-cast classic, the ensemble of nurses and soldiers and officers are excellent singers and dancers - really drawing laughs from the audience and getting them involved during the adorable numbers “There is Nothing Like a Dame” and “I'm In Love with a Wonderful Guy”. Matt Crowle as Luther Billis is exceptional, displaying flawless comic timing, perhaps harnessing a bit from the school Art Carney.
The set design is a delicious tropical island with low hanging palm trees that rotate around the stage per scene, soft pools of light breaking through the leaves, really placing the audience in the Southern Pacific. The set was a delight to behold and immediately places the entire audience right in the middle of the warm, steamy heat and action from the moment the play switched from the impressive interior of de Becque’s ritzy home.
Overall, the cast is superb and meshes incredibly well with each other while the orchestra provides us with a dreamy soundtrack that along with the imaginative set, puts us in a tropical paradise.
“South Pacific” is almost in a category by itself. Few other musicals actually open with the leads falling in love at first sight to magical, unmatched quintessential lyrics like:
Some enchanted evening
When you find your true love,
When you feel her call you
Across a crowded room,
Then fly to her side,
And make her your own
Or all through your life you
May dream all alone
I highly recommend seeing Drury Lane’s production of “South Pacific” for the many wonderful vocal performances of spectacular songs like “Some Enchanted Evening”, “Bali Hai” and “Younger than Springtime” and also for the wonderfully warm, inviting and joyful interpretation of this enduring classic about true love.
“South Pacific” is being performed at Drury Lane through June 17th. For more show information visit www.DruryLaneTheatre.com.
Something extraordinary happens on a street in Huntsville, Alabama. Mr. Woods (Keith Randolph Smith), a hard-working Black man in the…
The Den Theatre today announced upcoming June 2025 shows at the theatre's Wicker Park stages at 1331 N. Milwaukee Ave., including "Anatomy…
I reviewed TITUS ANDRONICUS in mid-February, so I was eager to see the sequel! In TITUS, Shakespeare tells the story…
BrightSide Theatre, Naperville’s professional theatre company, has announced the cast for the final show of its 13th season – the…
Eight Chicago artists from diverse backgrounds and disciplines have spent the last eight months in residence at the Chicago Puppet…
“Spring Awakenings,” now playing at Chicago’s Greenhouse Theater Center, is not the Tony-winning 2006 Broadway musical “Spring Awakening,” but an…
Rosemont's Parkway Bank Park entertainment district (5501 Park Place, Rosemont) will turn up the volume this summer with the return of its…
Lisa Sanaye Dring’s play “Kairos,” which just opened at The Edge Off Broadway theater, is one of the most thought-provoking…
It was a night of celebration, reflection, and breathtaking talent at the Civic Opera House. Fifty years of song echoed…
Court Theatre’s world premiere of Berlin, adapted by Mickle Maher from Jason Lutes’ monumental graphic novel, is a breathtaking achievement.…
Chicago's Rivendell Theatre Ensemble continues to celebrate its 30th Anniversary season with the World Premiere co-production of Keiko Green's GORGEOUS, directed by Kirsten Fitzgerald. The co-production…
Broadway In Chicago is thrilled to announce that its free SUMMER CONCERT will return to Millennium Park on August 11,…
The Joffrey Ballet concludes its 69th season with two-time Tony Award®-winning choreographer Christopher Wheeldon's enchanting and family-friendly Alice's Adventures in Wonderland. Set to…
“Henry Johnson,” David Mamet’s new play running at the vintage Biograph Theatre, is like many of his works, enigmatic and…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents the Chicago premiere of Artistic Affiliate Charles Smith's Golden Leaf…
Hell in a Handbag Productions is pleased to conclude its 2024/25 Season with the world premiere of QUEEN FOR A DAY written by…
Early in the first act I whispered to my companion and said “I love this!” Extremely well written by Joshua…
The repertoire for this fabulous program - A WONDROUS SOUND, showcasing the full force of Lyric’s amazing orchestra and chorus,…
Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age,…
As a lifelong aficionado of the ill-fated ocean liner RMS Titanic, I’ve always gravitated toward any experience that would leave…
The Artistic Home Studio will present the 2025 edition of its annual CUT TO THE CHASE festival of new one…
In an era that often defies reason, Chopin Theatre and Gwydion Theatre launch the first annual Theatre of the Absurd…
Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood's Shakin' the Mess Outta Misery, which follows…
The Opera Festival of Chicago announces the cast and creative team for The Love of Three Kings (L’Amore dei tre Re), with…
See Chicago Dance, the dance industry's nonprofit service organization celebrating its 20th anniversary in 2025, is proud to announce that its popular…
Steppenwolf's LookOut Series is pleased to announce its action-packed summer lineup of comedy, magic, storytelling, drag and more! The Summer 2025 Season…
Brian Friel’s “Translations,” now playing at Writers Theatre in Glencoe, IL, shows off the renowned Irish playwright’s signature skill in…
Chicago Shakespeare Theater (CST) announces today the cast of the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh,…
Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the 2025/26 Season. As the nation's largest year-round theater dedicated…
Tickets go on sale Friday, April 11 at 10 a.m. Central time for the world-premiere performances of A Night of Mellon…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.