Displaying items by tag: Braden Abraham

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26 season by shattering box office, attendance, and fundraising records, and cementing its position as a premier national hub for theatre excellence and community engagement. The critically acclaimed five-show season in the Studio Gang Architects-designed building at 325 Tudor Court in Glencoe, earned a collective 17 Joseph Jefferson Award nominations, recognizing every production, including Hershey Felder's Rachmaninoff and the Tsar, As You Like It, Two Sisters and a Piano, JOB, and Leopoldstadt.

The season was anchored by unprecedented audience demand, including a record-breaking extension for Max Wolf Friedlich's JOB, which became the highest-grossing show in the history of the Gillian Theatre, and the historic staging of Tom Stoppard's Leopoldstadt, the largest and highest-revenue production in the company's history.

"From the moment we started planning, we knew this was an ambitious season. And our success across so many fronts is a testament to the artists, staff, and board of Writers Theatre," said Artistic Director Braden Abraham. "We are fortunate to have one of the most passionate and savvy audiences anywhere, and we were thrilled to welcome so many new patrons through our doors for the first time. I could not be prouder of what we've accomplished together this year."

"At a time when arts organizations continue to navigate significant economic and funding challenges, this season has been a powerful reminder of what is possible when community responds with extraordinary confidence, enthusiasm and generosity," said Executive Director Kate Lipuma. "Record-breaking ticket sales, the most successful gala in our history, and an ambitious season of critically acclaimed productions demonstrate that audiences continue to invest in meaningful artistic experiences."

By the Numbers: A Year of Historic Growth
Writers Theatre saw year-over-year operational growth from the 2024/25 season to the 2025/26 season:

• Single Ticket Revenue: Surged from $1.5 million to $2.45 million, an increase of over 63%.
• Subscribers: Grew from 3,180 to 3,688 patrons.
• Total Attendance: Jumped from 46,600 to 55,917 attendees.
• Average Paid Capacity: Rose sharply from 68% to an outstanding 86%.

Commitment to Artistic Development and New Work

Writers Theatre continued to invest in the Chicago artist community by employing 75 Chicago-area artists on its stages during the 2025/26 season, the highest number in recent history, bringing the theatre's four-season total to 243 unique local actors.

With the belief that language is at the center of the theatrical experience, Writers Theatre continued its long-term commitment to developing new work and being a welcoming home for playwrights. During the 2025/26 season, Writers Theatre began work on two new commissions: Rammel Chan's Tomato Tattoo and Matthew C. Yee's Songs from the Underworld. Additionally, the theatre hosted several readings and workshops over the course of the season to further the development of a number of in-process projects:

• Frankenstein - Kyle Hatley and Dana Omar's ghostly indie rock version of the Mary Shelley classic
• Within Our Lifetime - a new play about psychic mediums in Victorian New England by Erik Hellman
• Aping Jane - a transformational one-woman show about Jane Goodall and her many animal companions by playwright Aurora Real de Asua 

Unprecedented Community Philanthropy
The record-breaking season was fueled by extraordinary donor support. A dedicated campaign united 40 visionary donors who invested over $1.3 million specifically to make the epic scale of Leopoldstadt possible. This generosity propelled total seasonal operating support to nearly $4 million.

Additional philanthropic milestones included welcoming Adam S. Garber (Levenfeld Pearlstein), Mollie Gawronski (BMO) and Katie E. Henderson (Northern Trust) to the Board of Trustees, and raising over $1 million at the 2026 WordPlay Gala, "A Little Night Music," which honored Rick and Deann Bayless.

Beyond the stage, donor support made possible The Stoppard Series, a community education series that invited patrons into meaningful conversations about the timely themes of Leopoldstadt, creating space for dialogue, reflection and connection. The series was highly collaborative, partnering with cultural institutions, including The Illinois Holocaust & Education Center, Sukkat Shalom, Resetting the Table and Jewish Studio Project with lecturers from University of Notre Dame, Loyola University, DePaul University and The School at the Art Institute.

Arts Engagement and Education Expanded Footprint
Mirroring the company's core mission, Arts Engagement and Education at Writers Theatre had a robust year of community integration and academic collaboration. Driven by a commitment to curiosity, excellence, language, conversation and the cultivation of artists of all ages, WT Education engaged nearly 5,000 patrons of all ages. Programming spanned across three areas: Onsite Programs, School-Based Programs, and Theatre for Young Audiences. Highlights include:

• Student Matinees: Welcomed 1,165 students and teachers to performances, marking an increase of 200 attendees.
• Onsite Youth Programs: Engaged 226 community members through pop-up day camps, spring break camps, and Wake Up Words.
• Theatre for the Very Young: Attracted 712 patrons to early-childhood offerings, including Kerfuffle's Bookworms, behold!, and Alliance Theatre's The Birthday of the World.
• The Novel Series, WT flagship program:
• Reached 848 students across 35 classrooms in 11 regional schools.
• Over 54% (6 out of 11) of participating schools are classified as low-income.
• Partnered with Communities in Schools – Chicago to add new institutions, including Johnnie Colemon Elementary and Mather High School.
• Translated 8 out of 14 curricula into Spanish, successfully executing a full residency and final presentation entirely in Spanish.
• Collaborated with 10 returning teachers to build upon multi-year academic programming.

Looking Ahead: The 35th Anniversary Season
Building on this remarkable momentum, Writers Theatre is launching its 35th Season with its first preview on August 13, continuing the company's dedication to world-class storytelling:

Sisters

Written by Matthew Libby
Directed by Jessica Thebus

August 13 – November 8, 2026

Matilda and Greta have always been there for one another, through joy and grief and homework and boyfriends. They're as close as sisters can be—even if Greta is artificial intelligence. As Matilda ages and Greta longs for independence, their relationship begins to be tested like never before. Told over the course of 90 years, Sisters is a riveting and thought-provoking new play about the future of family. 

The Royale

Written by Marco Ramirez
Directed by Tyrone Phillips

October 22 – November 29, 2026

Jay is a really good boxer, so good they call him "The Sport." He's won his last seventy-six fights and has his sights set on being crowned the next heavyweight champion. But it's 1905, and in the Jim Crow era, a Black man doesn't get to fight a reigning white champion. When a surprising chance at the title appears, Jay gears up for the fight of his life—where the stakes are staggeringly high inside the ring and out. Inspired by real-world boxer Jack Johnson, this adrenaline rush of a play by Marco Ramirez (Orange is the New Black, Buena Vista Social Club) is a kinetic and poetic portrayal of what it takes and what it costs to make history. 

Noël Coward's Brief Encounter

Adapted for the stage by Emma Rice

Adapted from the play Still Life and the screenplay Brief Encounter, both by Noël Coward
Directed by Shana Cooper

Choreographed by William Carlos Angulo

Music Supervision by Matt Deitchman

February 11 – March 28, 2027

An ordinary commute becomes a whirlwind instant of once-in-a-lifetime possibility. Laura, a suburban housewife, and Alec, a married doctor, meet by chance in a busy railway station. As their weekly encounters continue and they fall more passionately and wildly in love, the pair is forced to reconsider their settled lives and decide if this romance is undeniably hopeless or worth risking everything for. Based on the beloved Noël Coward film, this critically acclaimed stage adaptation features live performances of an indelible selection of Coward's best songs. You won't want to miss one of the greatest love stories of all time brought to dazzling life with music, movement and theatrical magic.

Creditors 

By August Strindberg 

Adapted by Jen Silverman 
Directed by Braden Abraham 

April 8 – July 3, 2027 

Adi, a struggling painter, is on holiday at the seaside with his glamorous wife, Tekla, who has recently published a wildly successful book. Left alone at the hotel while his wife is celebrated, Adi strikes up a conversation with a magnetic stranger, Gustav. As the two talk into the night, their budding friendship enters darker waters when Gustav becomes fixated on Tekla and Adi's relationship. This classic psychological thriller by August Strindberg, newly adapted with biting wit by Jen Silverman (Witch, The Roommate), is an electrifying portrayal of three souls trapped in an intricate web of deception, seduction and revelation. 

Hershey Felder: The Piano and Me

A new play with music

Book by Hershey Felder

With music by Bach, Mozart, Beethoven, Chopin, Bartok, Liszt, Rachmaninoff, Gershwin and Williams

May 5 – June 27, 2027
Press Opening: Friday, May 7 at 7:30pm

Hershey Felder, known for his hit portrayals of musical geniuses in his beloved composer series, now takes the stage as a different musical artist: himself. In this deeply moving new play, Felder pulls back the curtain on his own story. Growing up in Montreal as the child of Polish and Hungarian immigrants, a young Felder discovers the piano, its captivating music connecting him to his unsuspected heritage, while opening up a remarkable new world full of adventure, possibility, heartbreak, and connection.

Featuring performances of beloved compositions by Bach, Mozart, Beethoven, Chopin, Liszt, Rachmaninoff, Bartók, and more, Hershey Felder: The Piano and Me recounts the inspiration behind Felder's illustrious career of more than 6,000 performances across the globe and offers a poignant and profoundly touching portrait of the power of music.

ABOUT WRITERS THEATRE

Writers Theatre proudly celebrates its 35th Season.  

From its beginnings in the back room of a Glencoe bookstore, Writers Theatre established what would become its defining conviction: that vibrant language and exceptional performances in an intimate setting create a transformative theatrical experience. Today, the company is a major cultural destination in the Chicago region with a national reputation for artistic excellence, heralded by The Wall Street Journal as "America's finest regional theatre company."

Founded in 1992, Writers has produced over 160 productions—from inventive interpretations of classics to groundbreaking new work. In 2016, the company opened a state-of-the-art theatre center designed by the internationally renowned Studio Gang Architects. The new facility includes the 255-seat Alexandra C. and John D. Nichols Theatre and the flexible 100-seat Gillian Theatre, spaces designed to preserve the company's trademark intimacy and bring audiences up close to Chicago's finest actors. The building's striking glass atrium serves as a welcoming gathering space for artists, staff and the community, open daily for reading, working and conversation.  

Led by Executive Director Kate Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, Writers Theatre welcomes more than 60,000 patrons each year. The company has established itself as an important originator of new theatrical work, having produced over 30 world premieres in its history—including Manual Cinema's Christmas Carol, Witch by Jen Silverman, Trevor the Musical by Dan Collins and Julianne Wick Davis, A Minister's Wife by Austin Pendleton, Jan Tranen and Josh Schmidt, The Savannah Disputation by Evan Smith and Marilyn Campbell and Curt Columbus's adaptation of Crime and Punishment. 

Education and community engagement remain central to Writers Theatre's mission. Each season, the organization reaches more than 5,000 students and adults through school matinees, in-school residencies and curriculum-based programs that introduce young people to professional theatre. Writers Theatre also offers a wide range of free programs for the broader community, including readings, lectures and partnerships with local organizations that make theatre accessible to audiences of all ages. 

Located just 20 miles north of downtown Chicago, Writers Theatre offers artists and audiences a setting that combines world-class theatre with the calm and accessibility of Chicago's North Shore. As Writers Theatre enters its 35th season, the company continues its commitment to artistic excellence, meaningful storytelling and the uniquely powerful connection that only intimate theatre can create. 

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35^th Season in the intimate Gillian Theatre with Sisters, a gripping family drama exploring the familial bond between a woman and her AI sister, written by Matthew Libby and directed by acclaimed Chicago artist and Northwestern University faculty member Jessica Thebus. On the heels of the record-breaking hit JOB, Sisters continues the theatre's timely exploration of how technology shapes humanity. Sisters will run August 13 – November 8, 2026, at 325 Tudor Court, Glencoe. 

Single Tickets for Sisters, $75+, and season subscriptions are now available at www.writerstheatre.org, and at the Box Office by calling 847-242-6000. 

Matilda and Greta have always been there for one another, through joy and grief and homework and boyfriends. They're as close as sisters can be—even if Greta is artificial intelligence. As Matilda ages and Greta longs for independence, their relationship begins to be tested like never before. Told over the course of 90 years, Sisters is a riveting and thought-provoking new play about the future of family. 

Braden Abraham comments, "Sisters marks the opening of our 35th season at Writers Theatre, and it seems fitting to begin a milestone year in The Gillian Theatre, a space built on intimacy and our founding charge that the most exciting theatre is made with the audience and actors in close proximity. This extraordinary new play by Matthew Libby asks what remains distinctly, mysteriously human once you strip away everything that can be simulated, predicted or optimized. I can think of no one better than Jessica Thebus to guide us through Matilda and Greta's long, strange and moving companionship."

The cast is Brenda Barrie (Matilda) and Chloe Johnston (Greta). The understudies are Julia Rowley and Sarah Hecht.

The creative team includes: Jessica Thebus (Director), A Inn Doo (Scenic Designer), Lia Wallfish (Costume Designer), Eric Watkins (Lighting Designer), Andre Pluess (Co-Sound Designer), Harper Justus (Co-Sound Designer), Stephan Mazurek (Projections Designer), Reva Stover (Assistant Director), Bobby Kennedy (Dramaturg) and Dylan Cohen (Assistant Dramaturg). The stage manager is Isabel Pratt and the assistant stage manager is Olivia Leslie. 

About the Artists

Matthew Libby (Playwright) is a writer and actor based in Brooklyn, by way of Los Angeles. He made his Off-Broadway playwriting debut with Data (Lucille Lortel Theatre, Outer Critics Circle nomination for the John Gassner Award); regional productions of his plays include Data (Arena Stage, Helen Hayes Award nomination for Best New Play or Musical) and Sisters (Writers Theatre, Northern Stage). Data was also previously adapted as a digital production by the Tony-winning Alliance Theatre in May 2021, a production featured in a New York Times review of virtual theatre works that "clear a path toward continued innovation and growth of the form." Winner of the Kendeda National Graduate Playwriting Competition and Neukom Playwriting Award, Matt is a 2026 Ucross Resident, 2022-2023 Dramatists Guild Foundation Fellow, 2023 Theater Masters Visionary Playwright, three-time Princess Grace Award finalist, five-time O'Neill Playwrights Conference semifinalist and Blue Ink Playwriting Award featured finalist. His work has been produced and developed by theaters across the country, including Roundabout, Alliance Theatre, New York Stage and Film, Westport Country Playhouse, Northern Stage, Pioneer Theatre Company, The Kennedy Center, National New Play Network, Theater Masters, The Barrow Group, The Road Theater Company, WNYU's Theatre-in-the-Sound and others. With Stanford Repertory Theater, he helped devise and act in The Many Faces of Farce, which was nominated for a Bay Area Critics Award for Best Production. For the screen, he is a writer on Season 3 of Fox's hit medical drama Doc, has developed TV projects for Hulu, Lionsgate/eOne, Beau Willimon's Westward Productions and Alex Gibney's Jigsaw Productions, and has been recognized for his screenwriting work by The Black List and Script Pipeline. Matt studied cognitive science and creative writing at Stanford University and received his MFA in dramatic writing from NYU's Tisch School of the Arts, where he also teaches and was awarded the Chair's Award for Distinguished Achievement. He is a proud member of the Writers Guild of America and the Dramatists Guild of America.

Jessica Thebus (Director) is a theater artist, director and educator. She holds a PhD in Performance Studies from Northwestern University, and is currently Director of the Northwestern MFA Program in Directing. She has directed in Chicago and nationally for twenty-five years, and has long associations with many Chicago theaters, including the Goodman Theatre where she directed A Christmas Carol from 2000-2005, as well as plays by Tracy Scott Wilson and Sarah Ruhl. Northlight Theater is also an artistic home for Jessica where she has directed ten plays including Shining Lives: A Musical which received a Joseph Jefferson award nomination for best new work. Favorite others include Steppenwolf Theater Company, Lookingglass Theater Company, The Gift Theater, Writers Theater and Court Theater. Favorite projects nationally have taken place at the Oregon Shakespeare Festival, The Huntington Theatre, Kansas City Repertory Theatre, The Marin Theater Company, as well as the Kennedy Center in Washington, D.C. Jessica also creates outdoor spectacle projects in Chicago that celebrate community, joy and environmental justice.

Brenda Barrie (Matilda) is making her Writers Theatre debut. Chicago credits include Steppenwolf Theatre Company (Middletown, Sex with Strangers, Okay Bye); Chicago Shakespeare Theater (Julius Caesar, Elizabeth Rex); American Blues Theater (Roann @ the Gates, Six Corners); Lifeline Theatre (Mrs. Caliban, Mariette in Ecstasy); Goodman Theatre (Mother Road); The House Theatre of Chicago (United Flight 232, The Nutcracker); Route 66 Theatre Company (The Downpour); The Gift Theatre (The Ruby Sunrise); Metropolis Performing Arts Centre (A Streetcar Named Desire); and Silk Road Rising (Caravaggio). She is a four-time Joseph Jefferson Award nominee for Principal Performer and has also appeared on Chicago Med, Chicago P.D., Chicago Fire, and The Chicago Code. She earned her BFA in Theatre from the University of Indianapolis and spent a formative semester studying at the University of Ulster in Northern Ireland. She is represented by Stewart Talent.

Chloe Johnston (Greta) is a writer, director and teacher in Chicago. She has worked with theatres across Chicago and is a long-time ensemble member of The Neo-Futurists. Recent projects include 46 Plays for America's First Ladies (Critics Pick, NYTimes), Grace (The Orchard Project, Links Hall, Roman Susan, Northwestern University) and Leave the Light On, an interview-based performance and audio project about caretaking labor. With Coya Paz Brownrigg, she is the author of Ensemble-Made Chicago: A Guide to Devised Theater (NU Press). She is an Associate Professor of Theater and Performance Studies at Lake Forest College. www.chloejohnston.org

Sisters

Written by Matthew Libby
Directed by Jessica Thebus
The Gillian Theatre

August 13 – November 8, 2026

Performance Schedule: 

Wednesdays: 2:00pm and 7:30pm 

Thursdays: 7:30pm  

Fridays: 7:30pm  

Saturdays: 2:00pm and 7:30pm  

Sundays: 2:00pm and 7:00pm 

Open Captioned Performance: Thursday, September 17 at 7:30pm 

ASL-Interpreted Performance: Saturday, September 19 at 2:00pm 

Pay What You Can Performances: Sunday, August 23 at 7pm, Sunday, September 27 at 7pm, Saturday, October 31 at 7:30pm and Thursday, November 5 at 7:30pm 

Location: Gillian Theatre, 325 Tudor Court, Glencoe 

Prices: $75+

Discounts are available for students, educators, theater industry professionals, active military personnel, veterans, police officers, firefighters and their immediate families. Information is available at: https://www.writerstheatre.org/plan-your-visit/box-office-and-theatre-center/pricing--special-offers 

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000;

www.writerstheatre.org 

Single tickets are now on sale. Flex subscriptions and tickets are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000. 

Notes of Interest:

• Jessica Thebus returns to Writers Theatre where she previously directed The Turn of the Screw. Writers audiences may recognize thematic echoes of Writer's 2015 production of Marjorie Prime, which featured Thebus's late mother, Mary Ann Thebus, and explored similar themes of memory and humanity.

• Sisters continues Writers Theatre's conversation about technology and humanity. Following the record-breaking, sold-out run of JOB, which explored the psychological dangers of technology and our increasingly online lives, Sisters asks a different question about how technology changes how we define family and what it means to be human. Where JOB was a tense psychological thriller about the dangers of our digital world, Sisters is an intimate, emotional portrait that asks whether artificial intelligence can become family.

• Told across 90 years, Sisters is a sweeping, non-chronological epic following the relationship between a human and her AI sister. Sisters features a unique two-person cast, in which the character Matilda physically ages on stage from childhood to 96.

• Brenda Barrie (Matilda) and Chloe Johnston (Greta) are both making their Writers Theatre debuts in this intimate two-hander.

• Playwright Matthew Libby has a degree in cognitive science and creative writing from Stanford University and an MFA from NYU. He blends this background to inform his writing. Data, which the New York Times called "a darkly on-point dramatic mirror of present-day events" that feels "all-too present, all-too raw and indisputably somber", addresses the ethics of AI, privacy and surveillance. Sisters also dives into the world of AI, exploring emotional boundaries between humanity and technology.

SEASON PACKAGES

Writers Theatre is offering a variety of subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price, ranging from $275-$385 for one ticket to the five-play series, Flex subscriptions, with options for either four tickets ($280) or five tickets ($350), are available.

Season package subscribers receive the new Writers Theatre concierge service for ticket exchanges and questions. Exclusive subscriber benefits include: complimentary ticket exchanges (upgrade fees may apply), special "subscriber-rate" prices on additional tickets, advance access to special events and programs, easy, free parking, exclusive discounts in bar items and merchandise, discounts on rental of Writers Theatre event spaces on Writers Theatre merchandise, event rentals and more. For a complete list of benefits, visit writerstheatre.org.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Single tickets will go on sale for each show approximately two months prior to first preview. Single ticket prices start at $35.

AUDIENCE ENGAGEMENT OPPORTUNITIES 

Writers Theatre offers Open Captioning and ASL-interpretation on select dates for each production. Please visit writerstheatre.org/accessibility for more information. 

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast and The Final Word Audience Discussion Series. Please visit writerstheatre.org for a full listing of upcoming offerings. 

ABOUT WRITERS THEATRE

Writers Theatre proudly celebrates its 35th Season.  

From its beginnings in the back room of a Glencoe bookstore, Writers Theatre established what would become its defining conviction: that vibrant language and exceptional performances in an intimate setting create a transformative theatrical experience. Today, the company is a major cultural destination in the Chicago region with a national reputation for artistic excellence, heralded by The Wall Street Journal as "America's finest regional theatre company." 

Founded in 1992, Writers has produced over 160 productions—from inventive interpretations of classics to groundbreaking new work. In 2016, the company opened a state-of-the-art theatre center designed by the internationally renowned Studio Gang Architects. The new facility includes the 255-seat Alexandra C. and John D. Nichols Theatre and the flexible 100-seatGillian Theatre, spaces designed to preserve the company's trademark intimacy and bring audiences up close to Chicago's finest actors. The building's striking glass atrium serves as a welcoming gathering space for artists, staff and the community, open daily for reading, working and conversation.  

Led by Executive Director Kate Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, Writers Theatre welcomes more than 60,000 patrons each year. The company has established itself as an important originator of new theatrical work, having produced over 30 world premieres in its history—including Manual Cinema's Christmas Carol, Witch by Jen Silverman, Trevor the Musical by Dan Collins and Julianne Wick Davis, A Minister's Wife by Austin Pendleton, Jan Tranen and Josh Schmidt, The Savannah Disputation by Evan Smith and Marilyn Campbell and Curt Columbus's adaptation of Crime and Punishment. 

Education and community engagement remain central to Writers Theatre's mission. Each season, the organization reaches more than 5,000 students and adults through school matinees, in-school residencies and curriculum-based programs that introduce young people to professional theatre. Writers Theatre also offers a wide range of free programs for the broader community, including readings, lectures and partnerships with local organizations that make theatre accessible to audiences of all ages. 

Located just 20 miles north of downtown Chicago, Writers Theatre offers artists and audiences a setting that combines world-class theatre with the calm and accessibility of Chicago's North Shore. As Writers Theatre enters its 35th season, the company continues its commitment to artistic excellence, meaningful storytelling and the uniquely powerful connection that only intimate theatre can create. 

“You might cry, you might not,” says playwright Sarah Ruhl in the show notes of Writers Theatre’s revival of her 2003 play ‘Eurydice’. Under new Artistic Director Braden Abraham, there’s a youthfulness in both casting and staging that feels like a big breath of fresh air for the Glencoe theatre company. Sarah Ruhl’s whimsical dialog appeals to a childlike sense of wonder and her bittersweet version of this classic story may unlock parts of yourself hidden away by grown-up practicalities.

We all know the Greek mythology of Orpheus and Eurydice in which a man tries to bring his beloved bride back from the dead with the sound of his music. If he can avoid looking back at her, she can follow him out of the underworld. Easier said than done.

Sarah Ruhl’s play borrows the names and framework of the Greek tragedy, but her quirky adaptation is aimed at a modern audience. In the twenty years since this play was written, Sarah Ruhl has become a regular fixture of contemporary theatre and has been shortlisted for the Pulitzer. Her unique style of balancing small-scale spectacle with arrestingly poetic observations about life is what continues to make her work popular with audiences.

‘Eurydice’ is immediately endearing because of the well-honed aesthetic created by Braden Abraham and scenic designer Courtney O’Neill. Minimal staging makes big moments like an elevator that rains all the more theatrical. Solid casting, especially in the lead roles, makes this production even more loveable.

Sarah Price plays the title character with Kenneth La’Ron Hamilton as her Orpheus. The pair are impeccably styled by Danielle Nieves. Chic fashion combined with great chemistry, it’s nearly impossible to keep your eyes off. Price is perfectly charming throughout and shows a lot of range. Her co-star is equally compelling and together they make a good case for enduring love.

There’s a line in the play at Eurydice and Orpheus’ wedding in which she says, “Weddings are for fathers and daughters.” With that idea in mind, Ruhl richly draws Eurydice’s father into the underworld, and they get to reconnect in the afterlife. These are some of the play’s most emotionally charged moments. John Gregorio plays the role of her father barefoot and vulnerable in a way that men of a certain age are rarely written. It’s here that Ruhl veers from the source material and allows this play to really be an examination of her own life.

As the playwright said, you may cry, you may not, but you will leave with a romantic feeling. Between the spectacle created on stage and the full swath of emotions illicited by the cast, there’s a lot to unpack. Sarah Ruhl’s play has aged well and it’s exciting to see one of her earlier works done to such incredible standards at a theater not far from where she grew up. Writers Theatre’s production feels like a full-circle moment in this decorated playwright’s career.

For tickets and/or more show information, click here.