Theatre in Review

Monday, 17 September 2018 17:39

"Sweet Charity" is Full of Great Dancing, Humor and Positive Messages for #MeToo Generation Featured

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I was so excited to see this production of " Sweet Charity" partly because I remember Shirley MacLaine’s spectacular dancing in the film version of this very funny Neil Simon hit play. 

The main character Charity Hope Valentine, played with pizzazz by Anne Horak, is a dance hall girl who falls for all the wrong guys. Charity literally falls, as she is actually shoved into the water by one of her money grubbing "boyfriends" as he steals her purse before exiting her life. Anne Horak has all the charm and naivete of the original character and gives the play that breath of fresh air quality that keeps the audience from thinking that Charity is purely a victim of circumstance who is not smart enough to save herself from the predators that she and the other pay to dance women must fight off while dancing. 

Many of the girls are tempted into prostitution though the dance hall to make enough money to survive in the city, but Charity staunchly refuses to give in and keeps looking for her "husband and life in suburbia" by taking a self-improvement class at the YMCA. There she meets a funny, neurotic and at first kindly seeming fellow, played with scene stealing physical comedy by Alex Goodrich. 

Charity also meets and is befriended and told how special she is (but not molested) by an Italian movie star (Adam Jacobs) where she gets to deliver that trademark song from his hotel suite "If My Friends Could see me Now!" 

What is super interesting and modern about Neil Simon's script is that in the end, even the "nice guy" admits to Charity that if given the chance he will turn on her emotionally and ruin her life with his critical and jealous nature regarding her physical beauty and job as a dance hall girl - which could be compared with being a stripper in today's terms. 

But Charity, who has searched for love high and low, does not wallow in a depression nor does she attempt to kill herself. Rather, she picks herself up and begins again to live with Hope, which is after all, her middle name!

Bob Fosse's amazing choreography is spectacularly preserved and brought to life by choreographer and director Alex Sanchez and a highly GIFTED ensemble of dancers in all of the numbers especially 'Big Spender" and the jaw dropping "Rich Man’s Frug". The dancers; Terry Hamilton, Joe Bigelow, Elyse Collier, Lexis Danca, Alex Dorf, Alejandro Fonseca, Eben K. Logan, Hanah Rose Nardone, Adam Rogers, Laura Savage, Alex Smith, Kyra Sorce and Jessica Wolfrum - ALL deserve a mention by name. This dance ensemble moving in the demanding, super sexy, exquisitely detailed Fosse style arrogance while holding their long cigarette holders with their upturned noses in the air nearly brought the house down.

The entire cast's costumes were superbly designed with great eye-popping color and rich textures by Mieka van der Ploeg that really captured the mid-late 1960s as it transformed to a fashion with bright, swirling colors from the drainpipe jeans and capri pants that were so popular earlier in the decade.

I highly recommend this funny, engaging and uplifting production which is full of great comedy, song and dance and still memorable classic Broadway hits such as “Hey, Big Spender” delivered with real class throughout. 

“Sweet Charity” is being performed at Marriott Theatre through October 28th. Visit http://www.marriotttheatre.com for more show information and times.

 

 

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