Theatre in Review

Saturday, 06 April 2019 01:06

Small World is Loaded With Laughs, Despite a Few Rough Edges Featured

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If you remember the terrible Disneyland song, “Small World,”with its annoying refrain “ It’s a small world after all,” don’t let that stop you from seeing Small World at The Den Theater.

Based on what many would call Disneyland’s most inspid attraction, this play embraces the audience as ticketholders embarking on a mechanical boat passage tunnel. Facing a blank white curtain, we’re warned to keep arms inside and stay in our seats for a ride that “will last approximately 85 minutes,” the unseen announcer capturing the Disney tone of restrained excitement.

Then following sounds of explosions and destruction , the curtain parts, revealing a disaster inside the Small World tunnel. The three Disney “castmembers,” as they are known, suffer the effects of what may be a terrorist attack or a natural disaster. The tunnel exit has collapsed; they are trapped.

All are injured, one seriously, but their wounds and disorientation to nothing to hinder their non-stop, manic discussion, as they speculate about what happened and what to do next. And the song, “It’s a Small World After All” plays non-stop, just as it did on the ride in the real world, but set, thankfully, at a low enough volume to not be distracting.

We have Becca (Jackies Seijo), a disillusioned Disney worker who was serving her lsat day when disaster; perpetually upbeat Kim (Stephanie Shum) a by-the-book Disney employee who feels she is living the dream within Disneyland; and (Patrick Coakley) a white Christian conspiracy theorist who has secretly turned on the Disney empire. Struggling in limited lighting, the crew is repeatedly thwarted in attempts to exit. Kim, the closest thing we have to a protagonist here, manages to recite chapter and verse from the Disney employee manual, despite her thigh being imp. ailed….that’s the gonzo part, and somehow it works – the energy on stage is so over-the-top the audience catches fire and laughs uproariously.

”Facing mortality, there young conscripts at Disneyland, "the happiest place on earth," mine the dark side for humor. "Now I know how Simba felt," opines Kim, to great laughter. In managing the cadaver of a friend that floats by, Donny says he is deceased, but Kim demurs: "Noone dies in Disney," tapping the Magic Kingdom's reputation for carefully managing any hint of bad news. 

All of this is adds up to a “gonzo workplace comedy,” as artistic director Fin Coe puts it, and loaded with “our signature weird humor and wild action."That is an apt description of what you will witness in Small World, but the breakneck pace of the non-stop gabbing frequently reveals an overloaded script occasionally more suited for reading than speaking. In the course of the conversation, the characters reveal themselves as an unlikely team in a quest for survival.

Small World is funny as an idea and on stage – we give it a Recommended rating. Directed by Andrew Hopgood, Small World runs through May 4 at The Den Theater on Milwaukee Ave. in Chicago.

Last modified on Saturday, 06 April 2019 11:16

 

 

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