Theatre in Review

Tuesday, 04 October 2022 15:53

Review: Hell in a Handbag's "Frankenstreisand" @ Redline VR Featured

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(left to right) Tyler Anthony Smith and Robert Williams in Hell in a Handbag Productions’ world premiere of FRANKENSTREISAND. (left to right) Tyler Anthony Smith and Robert Williams in Hell in a Handbag Productions’ world premiere of FRANKENSTREISAND. Photo by Rick Aguilar Studios

Nobody does camp like Hell in a Handbag Productions. Ensemble-developed, oddball parodies of queer iconoclasts are what they do best. For their 21st season, longtime collaborators Tyler Anthony Smith and director Stephanie Shaw meld Barbra Streisand’s enduring legacy with Mary Shelly’s classic horror story. A cast of loveable weirdos round out the world premiere of this clever Halloween special.

Hell in a Handbag ensemble member Tyler Anthony Smith has been creating one-man shows throughout Chicago’s fringe scene for years. He’s also been a regular feature at Hell in a Handbag over the years. Tyler reunites with director Stephanie Shaw for a story that only his irreverent mind could come up with.

‘Frankenstreisand’ is the story of Dr. Barbra Frankenstreisand’s return to the stage after a 27-year performance hiatus. Only this time, she has her eyes set on a prize higher than an Oscar, a Grammy or even a Tony. Loosely based on the very real 1990s rumor that Barbra tried to have her dog cloned, Frankenstreisand intends to clone her beloved, but dead dog, Samantha. With the help of her assistants Hunchback (Dakota Hughes) and Frau (Brian Shaw), Frankenstreisand returns to the stage for the ultimate performance. Both Hughes and Shaw bring a great deal of physical humor to their quirky roles in Smith’s bizarre little script.

This festive Halloween show is a love letter to ‘The Rocky Horror Show’. The 85-minute musical features your favorite Babs songs, each with reconfigured lyrics for context (and likely to avoid copyright infringement). Streisand fans will cackle hearing these hilariously twisted versions of their favorite showtunes. With every number, deranged Frankenstreisand inches closer to giving her cloned pup the spark of life.

Smith knows his Barbra trivia right down to the costumes and together with designer Beth Laske-Miller they’ve recreated some of her signature looks. Wigs by Keith Ryan lend an extra layer of humor to Smith’s cartoon villain version of Barbra.


This play heavily relies on the audience’s knowledge of Streisand lore. Even the biggest fan might find themselves Googling certain facts as they’re leaving the theater, such as does she really have a shopping mall under her house? It’s no secret Barbra Streisand is kooky and perceived as demanding, and this makes her all the riper for satire.

Smith takes his historian-level interest in Barbra and does his own thing. Mixing in some of her signature qualities: the Brooklyn accent, the long fingernails and of course, the schnoz, he also blends in his own Tim Curry-flavored affects that lean into the more overtly sexual. This is a Barbra who doesn’t take herself as seriously.

A musical about Frankenstein and Barbra Streisand may seem like two ideas thrown into a blender with some bong water, but Tyler Anthony Smith has created a hilarious monster with ‘Frankenstreisand.’ It’s both a tribute to the great diva, and an homage to B horror movies of the 1950s.

Through October 31 at Hell in a Handbag Productions. 4702 N Ravenswood. For tickets and or more inforation, click here

 

 

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