Displaying items by tag: Theatre Chicago

Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce that single tickets for THE NOTEBOOK, a new musical based on the best-selling novel that inspired the iconic film, will go on sale on Monday, May 4. THE NOTEBOOK will play Broadway In Chicago’s James M. Nederlander Theatre (24 W. Randolph St.) for a limited two-week engagement, August 4 - 16. Returning to Chicago following the world premiere in Summer 2022, audiences in Chicago are about to fall in love all over again with this beloved story.

“THE NOTEBOOK is ultimately a celebration of life, love, and the power of memory,” said producers Kevin McCollum and Kurt Deutsch . “Audiences first fell in love with this timeless story as a novel, then as an iconic film, and now they can experience it anew as a moving musical event. With multi-platinum artist Ingrid Michaelson’s unforgettable score and Tony Award nominated Bekah Brunstetter’s beautifully crafted book, THE NOTEBOOK comes to life on stage in a way that will resonate deeply with audiences across North America.”

Allie and Noah, two people from different worlds, share a lifetime of love despite the forces that threaten to pull them apart. “Full of butterfly-inducing highs and beautiful songs” (Entertainment Weekly), THE NOTEBOOK a deeply moving portrait of the enduring power of love.

Based on the book that has sold millions of copies worldwide and a film that is one of the highest-grossing romantic dramas of all-time, the musical adaptation of THE NOTEBOOK played Broadway at the Schoenfeld Theatre from March 2024 to December 2024 following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022.

“Absolutely gorgeous. Not to be missed.” – Chicago Tribune

THE NOTEBOOK features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).

“Romantic, life-affirming and ingeniously adapted.” – USA Today

The creative team for the tour includes scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, hair and wig design by Mia Neal, and projection design by Lucy Mackinnon. The production’s music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Tina Faye. Casting by The Telsey Office, Patrick Goodwin , CSA.

The production was recently recognized with three 2024 Tony Award nominations (Best Book of a Musical, Best Performance by an Actress in a Leading Role in a Musical, Best Performance by an Actor in a Leading Role in a Musical), Drama League Award nominations for Outstanding Production of a Musical, two Distinguished Performance Awards and the Founders Award for Excellence in Directing, Drama Desk Award nominations for Outstanding Featured Performance in a Musical, and an Outer Critics Circle Award nomination for Outstanding Lead Performer in a Broadway Musical.

“A love story for the ages.” – The New York Daily News

Atlantic Records officially released the Grammy-nominated THE NOTEBOOK (Original Broadway Cast Recording), with a score that Vanity Fair calls “strikingly beautiful” by multiplatinum singer-songwriter Ingrid Michaelson, available  HERE.

Following its release, THE NOTEBOOK (Original Broadway Cast Recording) debuted at #1 on the Top Broadway chart in Music Connect, with breakout single “My Days” now surpassing 9 million streams on Spotify alone.

www.NotebookMusical.com

Follow THE NOTEBOOK on X, Instagram, Facebook, and TikTok

PERFORMANCE SCHEDULE
Tuesday, August 4 – 7:00 p.m.
Wednesday, August 5 – 7:00 p.m.
Thursday, August 6 – 7:00 p.m.
Friday, August 7 – 7:00 p.m.
Saturday, August 8 – 2:00 p.m. & 7:30 p.m.
Sunday, August 9 – 1:00 p.m. & 6:30 p.m.

Tuesday, August 11 – 7:00 p.m.
Wednesday, August 12 – 1:00 p.m. & 7:00 p.m.
Thursday, August 13 – 7:00 p.m.
Friday, August 14 – 7:00 p.m.
Saturday, August 15 – 2:00 p.m. & 7:30 p.m.
Sunday, August 16 – 1:00 p.m.

TICKET INFORMATION (as of April 30, based on availability and subject to change)
Individual tickets for THE NOTEBOOK will go on sale on Monday, May 4 and range from $37.00 - $127.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
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The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago Premiere production of L. M. Feldman's acclaimed theatrical mosaic A PEOPLE, at Theater Wit. Directed by world renowned actor, director and Jewish Culture activist Avi Hoffman, A PEOPLE invites Chicago audiences on a magical, lyrical journey through 5,000 years of Jewish identity, heritage, and humanity, brought to life by a dynamic ensemble of performers. The ensemble portrays a range of old and new-world characters, weaving together vignettes that question, affirm, and reimagine what it means to be part of a people. Historical and fictional characters, separated by generations, meet in a surreal landscape to explore their peoples' rich history and traditions, much of which they fear will be forgotten entirely. The play will preview June 18 and 19, 2026, prior to opening on Saturday, June 20^th at 7:30 pm,  and play through July 5^th. Performances are Thursdays, Fridays, and Saturdays at 7:30 pm and Sundays at 2:00 pm. There will be a special matinee celebrating  'Jewish Pride and Independence Day', Saturday, July 4 at 2:00 pm, as part of an ongoing initiative to celebrate Jewish Pride through world-class theater. 

Feldman's script is sometimes hilarious, sometimes searingly honest, as it weaves together old and new-world  voices to explore how all individuals wrestle with, deny, or embrace their heritage. The result is a vivid collage of characters and moments that illuminate the way we see life, the way we want it, and the way it really is.

YI Love Jewish is a global cultural initiative that advocates for Jewish Pride, builds cultural bridges and challenges antisemitism through the arts, while celebrating and promoting Jewish history, life, and culture, and their far-reaching impact on the world.

Arts Judaica, a Chicago-based 501(c)(3), is the city's only producing organization dedicated exclusively to exploring and celebrating Jewish history, culture, and arts through live theater, music, and educational programming. Together these two Jewish cultural organizations are presenting this play at Theatre Wit, a vital Lakeview venue known for its smart, intimate 98–99-seat black box spaces; they will bring together local and national voices in an accessible, neighborhood setting.

Tickets for A PEOPLE at Theater Wit are now available, with regular weekly performances Thursday–Saturday at 7:30 pm and Sunday at 2:00 pm. Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theatre Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657. For press materials, including show logo, production photos, and artist headshots, or to schedule interviews and press comps, please contact John Olson. 

LISTING INFORMATION
 
A PEOPLE
By L M Feldman
Directed by Avi Hoffman
June 18 – July 5, 2026
Thursdays, Fridays and Saturdays at 7:30pm and Sundays at 2pm.
Tickets will be $36 with group rates of 10 or more at $32
Opening will be a VIP special for $100.
Tickets can be reserved online at https://www.theaterwit.org/tickets/productions/572/performances#top or via Theater Wit's box office (773) 975-8150, or in person at 1229 W. Belmont Avenue, Chicago, IL 60657
More information at www.artsjudaica.com
 
A PEOPLE is a magical, lyrical journey into heritage, tradition, religion and humanity. Through vignettes, music and monologues, L M Feldman holds up a mirror to 5000 years of Jewish history, reminding us that we're all descendants from somewhere, and we choose to embrace our lineage, deny it, or wrestle with it. Hilarious and terrifyingly honest.
 
BIOS
 
L M Feldman (Playwright) is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Formally ambitious plays that move and take up space. Plays that are questioning, wrestling, and asking. Plays without answers. Plays about women and queers, plays about outsiders and searchers. Plays grappling with voice and agency, opportunity and access, history and its wake. Plays about the human connection. Plays that seek to be a greater, communal, rare theatrical event in which something transcendent transpires - for those both onstage & off.

Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker's dozen of short plays. She has been nominated for the Barrie and Bernice Stavis Playwright Award, Wendy Wasserstein Prize, Susan Smith Blackburn Prize, and the Doric Wilson Independent Playwright Award. She was awarded an artist grant through the Boomerang Fund and a creation grant from the State of Vermont, and she has been an artist-in-residence at Terra Firma, SPACE at Ryder Farm, the School of Making Thinking, Tofte Lake Center, Montana Artists Refuge, Montana Repertory Theatre, Sewanee University of the South, Cornell University, and Theater Emory/Brave New Works Festival. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg.
 
Avi Hoffman (Director) - Founder and CEO of Yiddishkayt Initiative, Avi Hoffman is a world-famous actor, who specializes in Jewish culture and Yiddish theater. His long-running "Too Jewish" trilogy has been seen by millions on PBS and in venues around the world. Based in Miami, Florida, he has produced and presented shows throughout North America, Europe and Israel. International Festivals include Romania, Poland, New York, Toronto, Montreal, Tel-Aviv and other European cities and countries. His connections in the theater, entertainment and film communities are extensive. He was awarded Congressional recognition, was invited to the Vatican to meet Pope Francis and was inducted into the Bronx Jewish Hall of Fame for his lifetime work advancing Jewish culture and was named a "Sage" by THE NEW YORK TIMES.      
 
ABOUT ARTS JUDAICA
Arts Judaica is dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the Chicago are, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives.

Our mission is to illuminate the richness of Jewish traditions and history, with a particular focus on educating audiences about pivotal events such as the Holocaust. Through thought-provoking productions, dynamic workshops, and meaningful collaborations, we aim to foster understanding, promote cultural dialogue, and inspire reflection among diverse audiences.

Arts Judaica, a tax exempt, 501c3 entity, is a unique and vibrant live theater/music/education organization based in Chicago, dedicated exclusively to showcasing Jewish arts, culture, and history. As the only organization of its kind in the city, Arts Judaica serves as a vital platform for preserving and celebrating Jewish heritage through compelling performances, educational programs, and community outreach initiatives. You can also see more about our work at https://www.artsjudaica.com.
 
ABOUT YI LOVE JEWISH
Performing arts, media, publishing, education, language, and literature, the mission of YI Love Jewish is to instill Jewish Pride and combat antisemitism by promoting Jewish history, life, and culture and their far-reaching impact on the contemporary world. Based in Miami-Dade County and in partnership with the University of Miami, YI Love Jewish builds engagement and forges multi-cultural and diverse connections through an immersive and varied range of programming for audiences around the globe. More information at YI Love Jewish https://yilovejewish.org

Eclectic Full Contact Theatre is proud to announce the cast and crew for their final show of season 14, THE RED LION, by Patrick Marber, at the Bramble Arts Loft 5545 N Clark.

When a small-time football club brings on a promising new recruit, it seems the team may finally step into the spotlight. But as the star rookie’s future proves lucrative for those around him, he’s thrown into a battle of principles between the team’s money-hungry manager and its caretaker still pining for the glory days. Both a love letter to the sport and an examination of its less savory traditions, THE RED LION delves behind the scenes of Britain’s most beloved pastime, and the familial bonds—and strains—that sports teams create.

The cast includes:

Daniel Houle* (He/Him) as YATES

Octavio Montes De Oca (He/Him) as JORDAN

Andrew Pond* (He/Him) as KIDD

Colin Commager (He/Him)—Yates u/s

Ronnie Lyall (He/Him)—Jordan u/s

Kaden Connor (He/Him)—Kidd u/s

The production team includes:

Director: Stephanie Murphy (She/Her)

Stage Manager: Sean Smyth (He/Him)

Sound Design: Kate Schnetzer* (she/her)

Lighting Design: Michael Meschbach (He/Him)

Set Design: Jeremiah Barr (He/Him)

Costumes Design Jennifer M. Hawk (She/They)

Prop Design Jessica Lauren Fisher* (She/Her)

Dramaturg: Chloe Adamo^ (She/Her/They/Them)

Production Manager: Daniel Houle* (He/him)

THE RED LION runs May 1-16,Fri-Sat at 7:30 and Sundays at 3:00 p.m. Tickets are $30 Information and tickets can be found at tinyurl.com/efctredlion  

^ denotes EFCT Artistic Associate

* denotes EFCT Company member

The world‑renowned Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings the passionate, expressive rhythms of Spain to life at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., in honor of their 50th Anniversary Celebration—one performance only, Saturday, June 13 at 7:30 p.m.

"As the company celebrates its golden anniversary season, we are excited to present our company of dancers and guest artists for this special concert honoring the work of our founder, our company and everyone who has made it possible for us to provide the best in Spanish dance here and around the world," says Irma Suarez Ruiz, Dame Libby Komaiko Legacy Artistic Director.

"For five decades, Ensemble Español has shared the passion, rhythm, and soul of Spanish dance with Chicago and the world, one breathtaking step at a time. Now, we invite everyone to join us as we celebrate that history and ignite the passion that will propel us into the next 50 years" added Executive Director, Jorge Perez.

Audiences will experience a special 50th Anniversary performance revival of Dame Libby's iconic critically acclaimed "Boléro," danced by the only remaining original dancers of this ballet from its premiere in 1993, Ruiz and Perez. Lively musical accompaniment will be provided for a selection of Flamenco dramas by musicians Jose Moreno (Flamenco singer, guitarist), Andrea Salcedo (Flamenco guitarist), and Enrique Chavez (percussionist). Also joining the Ensemble Español will be classical guitarist, Brian Torosian.

The program is scheduled to feature the following works
· "Amangue" (2023): The program will open with the flamenco company work set in 2023 in the Buleria style by guest artist, Isaac Tovar, former principal of the National Ballet of Spain to original musical composition by renowned guitarist Curro de Maria.
· "Escenas Villanescas" (World Premiere): This Spanish classical premiere will feature the full company in Irma Suarez Ruiz's "Villanescas" set to the music ofEnrique Granados. Special thank you to Philip and Marcia Dowd production sponsors.
· "Pasion Oculta" (2019): This contemporary work by Irma Suarez Ruiz, set to the music of the all-female electronic string quartet from London, received rave reviews in 2025 by the Chicago Tribune hailing it "Tour de force...Pasion Oculta is a modern masterpiece."
· "Antecesores/Ancestors" (2025): This company flamenco drama performed to the songs and rhythms of Seville in Andalucía, southern part of Spain, is choreographed by newly appointed Associate Artistic Director, Jose Torres. The work pays homage to those who came before us in the world of Spanish dance and music.
· "Boléro" (1993): The Ensemble Español will present the revival of Dame Libby Komaiko's full company iconic "Bolero" to the music of Maurice Ravel thanks to the generous support of friend and donor Sonia Florian 1936-2025. This work has graced some of the greatest landmark theaters and dance festivals in the world to well over one million audience members and been featured in two documentaries. The New York Times called Dame Libby's "Boléro" "amazing" and said the piece "wowed the audience" at a sold-out performance at Joyce Theater in Manhattan.

Tickets

Ensemble Español Spanish Dance Theater: 50th Anniversary Celebration is presented at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m., Saturday, June 13. Tickets are $45 - $65 before ticketing and online purchasing fees. To purchase tickets and for more information visit NorthShoreCenter.org or call 847.673.6300. 

Group rates are available for groups of 10 or more. Call the North Shore Center box office for group sales (847.673.6300). For more information about the show, call Ensemble Espanol at 773.442.5916 or visit EnsembleEspanol.org.

About Ensemble Español Spanish Dance Theater

The Ensemble Español Spanish Dance Theater is the premier Spanish dance company and center in the United States. The ensemble is in-residence at Northeastern Illinois University, Chicago. The Ensemble Español preserves, presents, and promotes the four styles of Spanish dance: Flamenco, folkloric, escuela bolera and classical. Founded in 1975 by Dame Libby Komaiko, and incorporated in 1976, the organization is now under the leadership of Irma Suarez Ruiz, Dame Libby Komaiko Legacy Artistic Director and Jorge Pérez, Executive Director. The company is comprised of dancers, singers, guest artists, and musicians representing a mosaic of cultures from around the world. The organization is praised by educators, arts professionals, business and government leaders, as well as arts and cultural media for its artistic excellence, cultural integrity, and of course, its commitment to arts and higher education opportunities for all.

The Ensemble appears in a broad range of television, opera, Emmy-winning documentaries, film, and symphonic formats, including with the Chicago Symphony Orchestra. It has appeared in theaters and universities in Chicago and Illinois, including the landmark Auditorium, North Shore Center for the Performing Arts, Harris Theater and Symphony Center. The Ensemble has also toured throughout the United States (including Puerto Rico and Hawaii), Canada, and internationally, performing in countries across four continents, such as Mexico, Costa Rica, Poland, Australia, China, and Spain.

A show somewhere between a play, standup act, memoir, and PowerPoint presentation. A show so chaotic you think it could never work. A show only Brendan Hunt could so perfectly pull off. Hunt’s solo performance is as hilarious as it is unexpectedly emotional, striking a balance between humor and trauma that only a child of divorce could pull off.

Hunt begins in 2022 with the story of the impromptu opportunity he had to meet Paul McCartney. Despite getting the opportunity by virtue of being a celebrity himself, Hunt – a lifelong, second-generation Beatles fan – was starstruck and wanted to tell Paul everything. He refrained, however, and thus The Movement You Need was born: a show where, instead, Hunt tells you everything he wanted to tell Paul. What unfolds is less a traditional narrative and more a kind of extended, often chaotic, and retrospective confession that uses that near-miss encounter as a framing device. It’s a clever but risky structure that gives the show both direction and elasticity, allowing Hunt to bounce between stories, timelines, and emotional registers (as well as lean into his personal neuroticism) without ever letting us forget that he’s fangirling to Sir Paul McCartney.

Loosely structured like a memoir, the show traces Hunt’s life from his earliest memories through adulthood and into fatherhood. Along the way, he paints a picture of growing up as a child of divorce and the son of an addict, filtering those experiences through humor that feels both self-aware and disarmingly honest. The performance leans into its rough edges in a way that works in its favor – featuring remarkably bad impressions, authentically cringey home videos, and stories that range from deeply processed to intentionally brushed past. Often, the line between curated and embarrassing is difficult to walk well (and such is the risk of making art) but as both a writer and performer, under the incredible direction of Ashley Rodbro, Hunt does so perfectly.

The evening, however, actually included more than one Brendan: Brendan Hunt, an avid Beatles fan, and an audience member who we will refer to as Brendan #2 – the lone, brave audience member who admitted to not being a Beatles fan at all. Centering a play around a fandom, even one of the largest of all time, is a premise that, on paper, might seem limiting. And yet, while Hunt’s love for the Beatles is the backbone of the piece, it’s not the barrier to entry you might expect. The show ultimately isn’t about encyclopedic knowledge of the band; it’s about memory, identity, and the stories we carry with us, as well as the way that we use something – anything – to form connections with those around us, even in the hardest of circumstances.

Technically, the production is just as thoroughly considered as the writing. The set strikes a careful balance between cozy realism and subtle nostalgia, creating a space that feels lived-in without becoming cluttered. Design elements – from Meredith Ries’s scenic work to Nick Solyom’s lighting, Kate Marvin’s sound, and Stefania Bulbarella’s projections – support the storytelling without overpowering it. Under the direction of Ashley Rodbro, everything feels intentional, giving Hunt the space to carry the show while ensuring the world around him remains fully realized and reflects his theatrical background, but never overpowering his performance.

Brendan Hunt’s one-man play-comedy-memoir hybrid is, from its writing to acting to production, one of the most cohesive and well-executed pieces of art I have seen in a long time. One big creative risk, the result is a show that feels less like something you watched and more like something you experienced alongside him. It’s funny, yes, and often wildly so – but it’s the emotional honesty underneath that gives it weight, turning what could have been a niche concept into something far more universal.

The Movement You Need: An Evening with Brendan Hunt is running at Steppenwolf Theatre through May 10th. More information and tickets are available at https://www.steppenwolf.org/tickets--events/seasons-/2025-26/the-movement-you-need/.

Steppenwolf's LookOut Series is proud to unveil its lineup for Summer 2026, marking ten years of steadfast dedication to Chicago performing artists and companies across form and discipline.

Since launching in 2016, the LookOut Series has hosted 1,043 performances of 365 unique engagements spanning dance, drag, music, comedy, puppetry, storytelling, experimental work and theatre. Over 69,000 patrons have come through the doors of the 1700 Theater to witness the work of more than 3,200 local artists. And the series has injected nearly one million dollars directly into the wallets of the artists and companies that it bolsters.

From June through August, LookOut is throwing a summer-long party to celebrate! Of the 18 unique engagements announced, highlights include many returning acts, including: the homecoming of the cult-classic variety show Erik and Jessie and Everyone You Know (hosted by Erik Hellman and Jessie Fisher), an experimental blending of sound and myth from the indescribable artist collective Mocrep (returning to Steppenwolf for the first time since 2019), the 11th Steppenwolf-hosted iteration of the endlessly popular storytelling showcase You're Being Ridiculous and the triumphant return of local drag icon Bambi Banks with a two week run of an all new drag parody show.

But the summer wouldn't be complete without newcomers to the LookOut Series performing at Steppenwolf for the first time. First time performers include: the comedy show Women Off-Colour, complete with sketches, musical numbers and more, The Lizzie McGuire Movie: The Play fresh off a sold out run at Color Club, award-winning "Comic-To-Watch" in the Chicago standup scene Deanna Ortiz and the Chicago premiere of Forgottonia, a music and storytelling show about West Central Illinois.

Steppenwolf Creative Producer and Co-Founder of the LookOut Series Patrick Zakem comments, "As Steppenwolf nears the end of its 50th Anniversary Season, we're excited to mark another institutional milestone: ten years of the endlessly eclectic LookOut Series. When we launched this program in May 2016, we didn't really imagine that we would still be going ten years later. But over the last decade, LookOut's programming has grown to be a vital resource for Chicago artists of all stripes, from dance and drag to comedy and music. We can't wait to celebrate with old friends and new – see you in the 1700 Theater!"

All LookOut performances take place in Steppenwolf's 1700 Theater, an intimate and flexible venue nestled behind Front Bar, 1700 N. Halsted St. in Chicago. Tickets, which range in price from $13 – $50*, are now on sale by visiting steppenwolf.org/lookout or by calling the Box Office at (312) 335-1650. *Pricing includes a $3 fee

The full Lookout Summer 2026 Season (in chronological order):

You're Being Ridiculous: Plot Twist 
Dates: Thursday, June 4 – Saturday, June 6 at 7:30 pm; Saturday, June 6 at 3 pm 
Ticket Price: $30
Description: At You're Being Ridiculous, real people tell true stories about their lives. Each performance is linked by rotating themes, and by the desire to make you laugh... and, once in a while, cry. Our motto: Good stories are better than good times. We laugh at ourselves and laugh with each other. Everyone has a story to tell. What's yours? 

Softie 
by Tim Felton
Dates: Friday, June 12 & Saturday, June 13 at 7:30 pm
Ticket Price: $20
Description: Sometimes a dad is also a daddy. And sometimes that daddy is also a Softie. Chicago-based comedian, Tim Felton (picture the lovechild of Mr. Rogers Pee-wee Herman and Buster Bluth), invites you along in his journey as he figures out how to connect with people as he gets older... and softer.  

Jillian Ebanks: 
Who All Gone Be There? 
Directed by Kiley Fitzgerald 
Dates: Thursday, June 18 at 7:30 pm 
Ticket Price: $23
Description: Life for Jillian in her 30s has been one big, weird party, and all she has wanted to know is Who All Gone Be There? Come join Jillian for this live taping of new material as she explores the guest list of her life through comedy. 

Funny Slut 
A solo show by Deanna Ortiz
Dates: Saturday, June 20 & Sunday, June 21 at 7:30 pm
Ticket Price: $25
Description: Deanna Ortiz used to think her job was just posting thirst traps for porn stars. Turns out, it was also therapy... with a 401(k). In Funny Slut, Deanna tells the hilarious and unexpectedly heartfelt story of working in social media for the adult entertainment industry where she learned to embrace chaos, confidence and her inner hot girl. 

Mocrep Presents: 
I Live Every Day
Dates: Thursday, June 25 – Saturday, June 27 at 7:30 pm
Ticket Price: $13 – $53
Description: The "mostly performance, arguably music" Chicago-based collective Mocrep returns to the LookOut Series. I Live Every Day is a noisy yet mellifluous riff on twang, repetition, feedback and kitchen appliances simultaneously inspired by the myth of Narcissus and the music of Tammy Wynette. 

Women Off-Colour 
Featuring Anelga Hajjar, Alondra Rios and Mantra
Dates: Wednesday, July 1 – Friday, July 3 at 7:30 pm
Ticket Price: $23
Description: Ethnicities we've dated, ethnicities who've wronged us, dads (alive and not), older sister trauma, ethnic moms, cycles we want to break and growing up with curves. These are some of the topics Mantra, Alondra and Anelga muse on in Women Off-Colour. Featuring musical numbers, sketches and monologues, this show invites women to be offensive, wrong and unapologetic.  

Erik and Jessie and Everyone You Know: 
Past and Future
Dates: Monday, July 6 & Tuesday, July 7 at 7:30 pm
Ticket Price: $43
Description: Ten years ago, Erik Hellman and Jessie Fischer brought everyone they knew to celebrate the opening of the 1700 Theater. Now EVERYONE will return for two nights, TWO DIFFERENT SHOWS! Monday: we visit the PAST. Tuesday: we visit the FUTURE. Join us for either or both. 

Derek Begrudgingly Presents: 
The Lizzie McGuire Movie: The Play
Dates: Friday, July 10 & Saturday, July 11 at 7:30 pm; Saturday, July 11 at 3 pm
Ticket Price: $28 
Description: After two sold out runs at Color Club and winning runner up in Chicago Reader's Best New Play category, The Lizzie McGuire Movie: The Play is back to show you what dreams are really made of. Through dance, drag, a live band, over-the-top acting and giant DIY cardboard props, this parody production reimagines Lizzie McGuire's iconic trip to Rome in a way Disney would never allow and finally answers the question, "what the hell happened to Miranda??" 

Nervous Breakdown in G Minor 
by Lewis Rawlinson 
Dates: Friday, July 17 & Saturday, July 18 at 7:30 pm; Sunday, July 19 at 3 pm 
Ticket Price: $30
Description: How do you pursue an art form you love when you no longer feel you belong? In this solo show with live music, Lewis Rawlinson traces his journey through queerness, addiction and mental health. Nervous Breakdown in G Minor is a lyrical autobiography about growing up Mormon in Montana, training as a classical cellist and confronting the realities of pursuing a life in music.  

Dream Devis: The Death and Life Of 
Created by Abhijeet & Leha Salam
Dates: Thursday, July 23 – Saturday, July 25 at 7:30 pm; Sunday, July 26 at 3 pm 
Ticket Price: $33
Description: Dream Devis, Chicago's trans femme South Asian collective, return to Steppenwolf after their sold-out eponymous show last year. Join our Devis for an existentialist romp through time, history, mythology and pop culture through song, dance and comedy. 

The Real Time – Live! 
With Briana Bower, Ian Paul Custer, Kelan M Smith, Jack Morsovillo & Lior Shragg
Dates: Thursday, July 30 at 7:30 pm
Ticket Price: $23
Description: The Real Time is a Chicago-based female-fronted five-piece band specializing in unique original music. Their music blends multiple eras and genres resulting in their pop-rock-funk sound. They'll be sure to get you movin' and groovin' with their upbeat jams and four-part harmonies. Come rock out with them! 

Michiganderish 
Written and performed by Julie Ganey
Music by Mike Przygoda, Directed by Ann Filmer 
Dates: Saturday, August 1 at 7:30 pm; Sunday, August 2 at 3 pm 
Ticket Price: $15 – $50
Description: Julie Ganey finds a little place for her family to get away from it all in the Great Lakes State and discovers it's not that simple. Cue chainsaws, chipmunks, menacing deer and eco-heroes! Michiganderish is a solo show about apocalyptic nature, reaping what we sow and an examination of what it means to truly belong to a place. 

The Not That Late Show
Dates: Thursday, August 6 at 7:30 pm
Ticket Price: $23
Description: Blending news-driven comedy with late-night-style interviews, The Not That Late Show is a Chicago-based variety show that aims to create space for people to live, laugh, learn... and leave at a reasonable hour. A show for Chicago, by Chicago. 

Chris Vallillo Presents:
Forgottonia
Dates: Saturday, August 8 at 7:30 pm; Sunday, August 9 at 3 pm
Ticket Price: $25
Description: Forgottonia is a musical journey through the evolution of the people and places in rural Midwestern America as seen through the eyes of songwriter Chris Vallillo. Vallillo combines storytelling and live music with the images of award-winning rural photographer Tim Schroll to create an audio-visual love letter to the region's past, present and future. 

Dionna Griffin-Irons:
This is My Moment 
Directed by Anthony Irons with music by Alexander Burke
Dates: Thursday, August 13 – Saturday, August 15 at 7:30 pm
Ticket Price: $38
Description: Blending "theatricalized" essays, satirical songs and poetic prose, This is My Moment features the real life story of a woman who has experienced the best life has to offer – a kingpin lover from the past, a jail adventure that tests her faith and a comedy career that teaches the gift of saying "Yes." 

Carl Chadek: You're Not Right for That!
Dates: Wednesday, August 19 at 7:30 pm
Ticket Price: $38
Description: Carl Chadek: You're Not Right for That! is an old-school style cabaret with music from Broadway, the great American songbook, classic pop and just maybe a little comedy. Think dinner jackets, evening gowns and martinis. Nobody is right for everything, and auditioning can be, well, interesting.  

Claire Lochmueller:
CRACKS
A one-trans-woman dark comedy memoir 
Dates: Friday, August 21 & Saturday, August 22 at 7:30 pm
Ticket Price: $15 – $30
Description: Through a hybrid of storytelling, stand-up comedy and theatre, this one-trans-woman dark comedy memoir by Claire Lochmueller details a journey from a childhood in the Catholic Church/JROTC military school to a career as a multi-award-winning trans theatre-maker. CRACKS navigates topics of gender identity, substance abuse and finding joy in a story about how two lives, through laughter and tears, became one trans identity. 

Bambi Banks Presents: 
Clue University: A Drag Parody
By Neutral Gena 
Dates: Thursday, August 27 – Sunday, September 6; Thursdays, Fridays & Saturdays at 7:30 pm, Sundays at 3 pm
Ticket Price: $33
Description: Bambi Banks returns to the LookOut Series with Clue University, a slasher parody play that combines all the fun and whimsy of the game of Clue with the complicated world of a collegiate rush week. In this thrilling murder mystery, six Sorority Sisters must unmask a killer living amongst them, testing their bonds of sisterhood and bringing to light the question: is blood thicker than power? 

Accessibility:

Steppenwolf's 1700 Theater is equipped with an induction hearing loop and assistive listening devices (ALDs) are available upon request. Our building features wheelchair-accessible seating and restrooms, push-button entrances, a courtesy wheelchair, and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/plan-your-visit/accessibility or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

Sponsor Information: 

The LookOut Series is supported in part by the Walder Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Bloomberg Philanthropies, Crown Family Philanthropies, Caroline and Keating Crown, Julius Frankel Foundation, Lefkofsky Family Foundation, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Rich and Margery Feitler, FROST CHICAGO, John D. and Catherine T. MacArthur Foundation, The Orlebeke Foundation, Polk Bros. Foundation, Sacks Family Foundation, Harold and Mimi Steinberg Charitable Trust, Thoma Bravo, and Bryan Traubert and Penny Pritzker. Steppenwolf also acknowledges support from the Illinois Arts Council and the City of Chicago Department of Cultural Affairs and Special Events. uncil and the Department of Cultural Affairs and Special Events. 

About Steppenwolf Theatre Company:

Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 50 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theatre and Chicago's cultural landscape. Founded in 1975 by Terry Kinney, Jeff Perry and Gary Sinise, Steppenwolf started as a group of young people in their teens and early 20s performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director E. Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance.

Steppenwolf's Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Writer and performer Eileen Byrne brings her acclaimed one-woman play Running with Coffee to Chicago for two performances only, presented at Lookingglass Theatre Company's Water Tower Water Works. Following successful runs in the Chicago suburbs and New York City, this intimate and deeply human solo performance will be presented Saturday, May 16, at 7:00pm and Sunday, May 17 at 1:00pm on stage in the Lookingglass lobby in the historic Water Tower Water Works, 163 Pearson Street.

Tickets, $35, are available through the Lookingglass box office at 312.337.0665 or This email address is being protected from spambots. You need JavaScript enabled to view it.. Proceeds will benefit North Shore Senior Center. Seating is limited to 85 per performance.

In Running with Coffee, Byrne portrays eleven characters in a tour-de-force solo performance drawn from her own lived experience. When a daughter opens her home to her separated parents, one living with dementia, she finds herself navigating the emotional, logistical, and deeply personal realities of caregiving. Blending humor with poignancy, the play explores memory loss, mental health, and the quiet isolation that can exist within families.

Writer/performer Eileen Byrne comments, "This is a very personal story for me, balancing humor with real-life, mid-life struggles. By stepping into the shoes of these characters, I portray the chaotic beauty of this family faced with dementia and decades of distance. There is an incredible, healing power in finally telling your own story and I am overjoyed to be sharing it again with Chicago audiences."

Critics have praised Byrne's dynamic performance and emotional depth. Theater Pizzazz called the piece "a tale that touched the heart with sadness, regret, and guilt," noting that Byrne "assumed the characters in her personal orbit... shifting quickly into each... masterfully." Wilmette Living described the work as "a hilarious yet heartfelt look at caregiving, mid-life challenges, mental health, and the everyday chaos of a family adjusting to major life changes."

With limited seating and just two performances, Running with Coffee offers Chicago audiences a rare opportunity to experience this moving and timely work in an intimate setting. To learn more about the production, visit www.eileenbyrne.org/running-with-coffee.

Eileen Byrne is a playwright and actress who portrays eleven characters in the critically acclaimed Running With Coffee, which she recently performed off-Broadway in the United Solo Festival, Theater Row. She earned a Best Actress nomination for her performance in the 2024 1st Irish Festival. The show was first workshopped and staged for the Br!nk New Play Festival for women playwrights in Milwaukee in September 2022. Byrne's other works include The Middle (Playwrights and Artists Festival, Know Theatre in Binghamton, NY), The Gettysburg Redress (Rockford New Words Fest -West Side Show Room in Rockford, IL),. Snowglobal Warming (Players Theatre/ Zoom), the Best in Show--2019 BooFest winning play Wingman, Tenants (NYC Fest-Players Theatre), Allegations (2nd Act Players/MeToo Festival in Evanston and The One That's a Play (Stage 773).

A native of Queens, New York, Eileen Byrne is a graduate of Fordham University and holds a Master's degree from Northwestern University.

FACT SHEET / Running with Coffee

Title: Running with Coffee
Written and Performed by: Eileen Byrne

Schedule: 

Saturday, May 16, 2026 at 7:00pm

Sunday, May 17, 2026 at 1:00pm

Location:  Lookingglass Theatre Company, 163 Pearson Street, Chicago          
Outer Lobby (East Wall Stage)

Run Time: Approximately 90 minutes

Tickets: $35

Box Office:  Buy online at lookingglasstheatre.org or by phone at (312) 337-0665

The Lookingglass box office is located at Water Tower Water Works, 163 Pearson Street, Chicago, IL 60611