The Goodman's Centennial 2025/2026 Season continues with the Chicago premiere of Covenant, Chicagoland native playwright York Walker's "striking Southern gothic work" (New York Times) hailed as "blackout-and-blood-curdling-scream deliciousness" (New York Magazine). BOLD Artistic Producer Malkia Stampley is set to direct a cast including Debo Balogun (graveyard shift), Ashli Rene Funches (A Red Orchid Theatre's IS GOD IS), Jaeda LaVonne (Chicago Shakespeare Theatre's Twelfth Night), Felicia Oduh (The Nacirema Society) and Anji White (Fat Ham). Understudies will be announced at a later date. Covenant appears May 2 through May 31 (opening night is May 11) in the 350-seat flexible Owen Theatre. For tickets ($24 - $64; on sale Feb. 20), visit the Box Office (170 N. Dearborn), call 312.443.3800 or purchase online at GoodmanTheatre.org/Covenant. The Goodman is grateful for the support of BOLD Ventures (Production Sponsor), Tabet, DiVito & Rothstein (Corporate Supporter) and The Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming).

"Covenant is about young love, the secrets we hold and the role faith plays when we are haunted by our choices," said director Malkia Stampley, who most recently directed a 2026 New Stages Festival reading and the critically acclaimed 48th annual A Christmas Carol. "While I personally connect with the religious themes in the story as a pastor's daughter, many will connect with the folklore nature of this story and the thrilling and chilling ride this story takes you on. The characters York built in Covenant will sweep away audiences and my goal is to tell this story honestly, organically, full of heart and grit."

Expect one devilish twist after another in Covenant, an "undeniably spooky (and) absolutely enjoyable" (TheaterMania) mythic and suspenseful new play. Johnny "Honeycomb" James (Debo Balogun) left his small Georgia town a struggling guitarist—and returned a blues star, to the surprise of sisters Violet (Felicia Oduh) and Avery (Jaeda LaVonne), their mother (Anji White) and their best friend Ruthie (Ashli Rene Funches). As rumors of a darker deal abound, it becomes clear that he's not the only one with a secret...or seeking salvation. This tense thriller explores the power of belief and the thin line between rumor and truth. Covenant premiered at Roundabout Theatre Company in 2023 to critical acclaim, earning a New York Times Critics Pick.

York Walker is an award-winning playwright and screenwriter from Chicago, Illinois. He is the inaugural recipient of both the Vineyard Theatre's Colman Domingo Award and the John Singleton Screenwriting Award. His work includes Holcomb & Hart (Victory Garden's New Plays For A New Year Festival), The Séance (Winner of the John Singleton Screenwriting Competition, 48 Hours... in Harlem), Covenant (Colman Domingo Award, Roundabout Underground, South Coast Repertory's Pacific Playwrights Festival, Fire This Time Festival) and Soul Records (workshops with Manhattan Theatre Club, the Vineyard Theatre and Roundabout Theatre Company). York is currently developing new works with Roundabout Theatre Company, South Coast Repertory Theatre, The Geffen Playhouse and Goodman Theatre. His contributions extend to the realm of television, having served as Story Editor and Staff Writer for two seasons on Dick Wolf's hit series, FBI. York is a graduate of the MFA Acting program from the American Conservatory Theatre.

Malkia Stampley is a twice Jeff-nominated director from Milwaukee and The Goodman's BOLD Artistic Producer. Her Goodman Theatre directing credits include A Christmas Carol, Primary Trust, In My Granny's Garden and New Stages Festival's Cephianne's Reflection and This Part of His Life Blooms. Select directing credits: No Such Thing (Rivendell); Girls on Sand (Northern Sky); Nina Simone: Four Women (Milwaukee Rep); The October Storm (Raven); Boulevard of Bold Dreams (TimeLine); STEW (Shattered Globe); Black Nativity (Black Arts MKE); The Gift of the Magi (American Players); Five Guys Named Moe (Skylight Music); Lady Day at Emerson's Bar and Grille (Farmers Alley); Exit Strategy (Northwestern).

Company of Covenant (in alphabetical order)

By York Walker

Directed by Malkia Stampley

Debo Balogun...Johnny James 
Ashli Rene Funches...Ruthie 
Jaeda LaVonne...Avery 
Felicia Oduh...Violet 
Anji White...Mama

CREATIVE TEAM

Costume Designer...Evelyn Danner 
Set Designer...Ryan Emens 
Lighting Designer...Gina Patterson 
Sound Designer...Dee Etti-Williams 
Music Director and Composer...Mike Przygoda 
Voice and Dialect Coach...Shadana Patterson 
Associate Director and Movement Director...Tor Campbell 
Illusion Consultants...Benjamin Barnes and Trent James 
Intimacy...Jyreika Guest 
Line Producer...Lena Romano

Original Casting by Trent Stork. Additional Casting by Lauren Port, CSA. Tyra Bullock and Lena Romano are the Dramaturgs.

ENHANCED AND ACCESSIBLE PERFORMANCES

Visit GoodmanTheatre.org/Access for more information about The Goodman's accessibility efforts.

ASL-Interpreted...May 22  at 7:30pm – An ASL interpreter signs the action/text as played. 
Audio-Described...May 23 at 2pm; Touch Tour; 12:30pm – Action audibly enhanced via headset. 
Spanish-Subtitled...May 23 at 7:30pm – Spanish-translated dialogue via LED sign.
Open-Captioned...May 24 at 2pm – LED sign presents dialogue in sync with the performance.

ABOUT THE GOODMAN

Since 1925, The Goodman has been more than a stage. A theatrical home for artists and a gathering space for community, it's where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves.

Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection and change through new plays, reimagined classics and large-scale musicals. With distinctions including nearly 200 world or American premieres, two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson's "American Century Cycle." In addition, the theater frequently serves as a production partner—with national and international companies to Chicago's Off-Loop theaters—to help amplify theatrical voices.

But The Goodman believes a more empathetic, more connected Chicago is created one story at a time, and counts as its greatest legacy the community it's built. Generation-spanning productions and programs offer theater for a lifetime; from Theater for the Very Young (plays designed for ages 0-5) to the long-running annual A Christmas Carol, which has introduced new generations to theater over five decades, The Goodman is committed to being an asset for all of Chicago. Education and Engagement programs led by Clifford Director of Education and Engagement Jared Bellot and housed in the Alice Rapoport Center use the tools of theater to spark imagination, reflection and belonging. Each year, these programs reach thousands of people (85% from underserved communities) as well as educators, artists and lifelong learners across the city.

The Goodman stands on the unceded homelands of the Council of the Three Fires—the Ojibwe, Odawa, and Potawatomi Nations—and acknowledges the many other Nations for whom this land now called Chicago has long been home, including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. The Goodman is proud to partner with the Gichigamiin Indigenous Nations Museum (Gichigamiin-Museum.org) and the Center for Native Futures (CenterForNativeFutures.org)—organizations devoted to honoring Indigenous stories, preserving cultural memory, and deepening public understanding.

The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago's early cultural renaissance. That spirit of creativity and generosity endures today. In 2000, through the commitment of Mr. Goodman's descendants—Albert Ivar Goodman and his late mother, Edith-Marie Appleton—The Goodman opened the doors to its current home in the heart of the Loop.

Marsha Cruzan is Chair of the Goodman Theatre Board of Trustees; Diane Landgren is Women's Board President; and Kelli Garcia is president of the Scenemakers Board for Young Professionals. 

Her Story Theatre has announced the World Premiere of Kurt McGinnis Brown's two-hander THE OFFICIAL BIOGRAPHY, to play March 28 – April 19 at The Den Theatre in Chicago. When young black journalist Xan Smith is assigned to interview the once successful, now aging white novelist, Henry Percival, the two form an unlikely bond during their contentious meetings. After Henry reveals something unexpected about his past, the two writers must consider the uncertain relationship of truth to storytelling in general, and specifically to the story of Henry's life. THE OFFICIAL BIOGRAPHY will keep audiences guessing as they follow its plot twists, surprises, and suspect decisions. The drama, which was workshopped at Chicago Dramatists in 2017 and Art Lit Lab in Madison, Wisconsin in 2016, is the work of prolific playwright Kurt McGinnis Brown, who has had plays produced across the country, including in Chicago, Los Angeles, and New York. The Jeff Award-winner and former Artistic Director of Strawdog Theatre Richard Shavzin will direct. Press opening is Wednesday, April 1 at 7:30 pm in the Upstairs Main Stage of The Den Theatre, following previews on March 28, 29 and 31. It will play through April 19.

Veteran Chicago actor and Actors Equity member Gary Houston, whose many credits include GEM OF THE OCEAN and JOE TURNER'S COME AND GONE at the Goodman Theatre, will play the septuagenarian novelist Henry Percival. Shelby Marie Edwards, seen most recently in Pegasus Players' YOUNG PLAYWRIGHTS FESTIVAL and RABBITS IN THEIR POCKETS at Lifeline Theatre, has been cast as the young journalist Xan Smith.
 
The production team includes Garrett Bell (Set Design), Sam Bessler (Lighting Design), Mary Bonnett (Costume Design), George Zahora (Sound Design), Wendye Clarendon* (Actors Equity member, Stage Manager), Morgan Watkinson and Josh Hogan (Assistant Stage Managers), Steve Kruse (Technical Director), Tristan Predmore (Lighting Technician), Nora Brooks (Scenic Painter), and Lucas Holeman (Carpenter). 

Tickets to THE OFFICIAL BIOGRAPHY are $40 for General Admission and $30.00 for Seniors plus taxes and fees) for regular performances; and $35 General Admission for previews. Students and industry members are $20.00 all performances, and group prices are $30.00 per person for all performances. Tickets are on sale now at www.thedenthreatre.comand The Den Theatre Box Office 773-697-3830.

Oil Lamp Theater, currently presenting the highly recommended political comedy The Outsider through February 22,  is proud to announce the cast and creative team for its next production of its 2026 season, Poor Behavior, written by Theresa Rebeck and directed by Lauren Katz, April 10 - May 10, at Oil Lamp Theater, 1723 Glenview Road. The schedule includes two preview performances Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m., with an opening performance Saturday, April 11 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances April 15 at 11 a.m and 3 p.m.; April 22 at 7:30 p.m. (understudy performance); April 29 at 11 a.m. and 3 p.m. and May 6 at 7:30 p.m. Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.  

A visit from old friends takes an unexpected turn when a bombshell accusation throws niceties out the window. Hospitality turns to havoc. Sanity shatters into shambles. Manners take a backseat as two couples are pushed to their limits during a weekend in the country. Will they be able to pick up the pieces over wine and muffins or will their poor behavior leave them irrevocably broken? Find out in this sharp-witted play by acclaimed playwright Theresa Rebeck. 

The cast of Poor Behavior includes Sam Fain (he/him, Ian); Lauren Paige  (she/her, Maureen); Ksa Curry (she/her, Ella); Jack Morsovillo (he/him, Peter) with understudies Cooper Bohn (he/him, Ian U/S); Cait Kelly (she/they, Maureen U/S); Jaime Nebeker (she/her, Ella U/S) and Adrian Briones (he/him, Peter U/S).

The production team includes Lauren Katz (she/her, director); Connor Windle (she/her, production manager and stage manager); Trenton Jones (he/him, scenic designer); Elly Burke (she/her; properties designer); Danielle Reinhardt (she/her; costume designer); Paige Klopfenstein (she/her, intimacy director); Daniel Friedman (he/him, lighting designer); Alex Trinh (he/him, sound designer); Andy Cahoon (he/him, technical director); Sienna Laurent Choi (she/her, assistant stage manager) and Rose Leisner (she/her, company manager). 

CONTENT ADVISORY: Poor Behavior contains strong language and mature themes including discussions of mental health and suicide.

ABOUT THERESA REBECK, PLAYWRIGHT

Theresa Rebeck is a prolific and widely produced playwright, whose work can be seen and read throughout the United States and abroad. Last season, her fourth Broadway play premiered on Broadway, making Rebeck the most Broadway-produced female playwright of our time. Other Broadway works include Dead Accounts, Seminar and Mauritius. Other notable New York and regional plays include: Seared (MCC), Downstairs (Primary Stages), The Scene, The Water’s Edge, Loose Knit, The Family of Mann and Spike Heels (Second Stage), Bad Dates, The Butterfly Collection and Our House (Playwrights Horizons), The Understudy (Roundabout), View of the Dome (NYTW), What We’re Up Against (Women’s Project), Omnium Gatherum (Pulitzer Prize finalist). As a director, her work has been seen at The Alley Theatre (Houston), the REP Company (Delaware); Dorset Theatre Festival, the Orchard Project and the Folger Theatre. Major film and television projects include “Trouble,” starring Anjelica Huston, Bill Pullman and David Morse (writer and director), “NYPD Blue,” the NBC series “Smash” (creator) and the upcoming female spy thriller “355” (for Jessica Chastain’s production company). As a novelist, Rebeck’s books include Three Girls and Their Brother and I'm Glad About You. Rebeck is the recipient of the William Inge New Voices Playwriting Award, the PEN/Laura Pels Foundation Award, a Lilly Award and more.

ABOUT LAUREN KATZ, DIRECTOR

Lauren Katz is thrilled to be back directing at Oil Lamp. Favorite directing credits include: It’s a Wonderful Life: A Live Radio Play, The Marvelous Wonderettes, Mary's Wedding (Oil Lamp), A Midsummer Night’s Dream and Women of 4G (Babes With Blades), The Prom (Highland Park Players), Tick, Tick… Boom and A Grand Night for Singing (Dunes Summer Theatre), Grease and Legally Blonde the Musical (Beverly Theatre Guild), Hershel and the Hanukkah Goblins (Strawdog) and This is a Chair (Haven). Other collaborations include: About Face Theatre, Goodman Theatre, Steppenwolf Theatre, Victory Gardens Theatre, and Writers Theatre. She is the education + engagement producer at Steppenwolf Theatre.

ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp recently expanded with the SPARK CENTER, which offers arts education for all ages with a focus on youth. These process-driven classes inspire a lifelong love of the arts while equipping students with creativity, confidence and critical life skills.

This past September, Oil Lamp launched  Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil Lamp Theater hopes this announcement inspires excitement throughout the community. Interested community members are invited to learn more by reaching out to the theater, attending the 2025 Gala on October 18 and staying tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at This email address is being protected from spambots. You need JavaScript enabled to view it..

Oil Lamp Theater, currently presenting the highly recommended political comedy The Outsider through February 22,  is proud to announce the cast and creative team for its next production of its 2026 season, Poor Behavior, written by Theresa Rebeck and directed by Lauren Katz, April 10 - May 10, at Oil Lamp Theater, 1723 Glenview Road. The schedule includes two preview performances Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m., with an opening/press performance Saturday, April 11 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances April 15 at 11 a.m and 3 p.m.; April 22 at 7:30 p.m. (understudy performance); April 29 at 11 a.m. and 3 p.m. and May 6 at 7:30 p.m. Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org. 

Open Space Arts has announced it will stage the Chicago premiere of A THIRD WAY, from April 3 through 19. A THIRD WAY is a sharply funny, deeply compassionate new play that reimagines what love, marriage, and family can look like in the 21st century. Winner of the Del Shores Foundation Playwriting Award, the play received its acclaimed world premiere in 2024 at Actor's Express in Atlanta, where it was praised for its emotional honesty, contemporary relevance, and nuanced queer storytelling. ARTSATL said, it was "deeply introspective" in addition to having "some truly hilarious moments, with a playful energy throughout." Open Space Arts' founder David G. Zak, who was recently nominated for the Jeff Awards for Direction – Short Run Production for OSA's MR. PARKER,  will direct a cast to be announced.  A THIRD WAY will play in Open Space Arts' intimate 25-seat theatre at 1411 W. Wilson Ave., Chicago. 

At the center of the play are Nico and Matt, a married couple committed to building a relationship that exists outside traditional binaries. When familiar figures from the past and unexpected new connections enter their world, long-standing assumptions are quietly—and sometimes explosively—challenged.

With humor, warmth, and razor-sharp insight, A THIRD WAY explores the fragile balance between desire and responsibility, freedom and commitment. Rather than offering easy answers, the play invites audiences to sit inside uncertainty, asking what it really means to choose love when there are no clear rules.

Intimate in scale but expansive in implication, A THIRD WAY speaks to contemporary audiences navigating evolving definitions of partnership, family, and belonging—without telling them what to think.

Open Space Arts' A THIRD WAY will open Friday, April 3 at 7:30 pm and play through Sunday, April 19, 2026. Performances will be at Open Space Arts, 1411 W. Wilson in Chicago. Tickets are $30 and are on sale now at www.openspacearts.org. 
 
LISTING INFORMATION
 
A THIRD WAY
By Lee Osorio
CHICAGO PREMIERE
Directed by David G. Zak
April 3-19, 2026
Opening Friday, April 3 at 7:30 pm
Thursdays, Fridays and Saturdays at 7:30 pm, Sundays at 3:00 pm
Open Space Arts, 1411 W. Wilson Ave., Chicago
Tickets $30.00 general admission, $25.00 students and seniors. On sale now at www.openspacearts.org. 
 
Nico and Matt are a married couple committed to building a relationship that exists outside traditional binaries. When familiar figures from the past and unexpected new connections enter their world, long-standing assumptions are quietly—and sometimes explosively—challenged. With humor, warmth, and razor-sharp insight, A THIRD WAY explores the fragile balance between desire and responsibility, freedom and commitment. Rather than offering easy answers, the play invites audiences to sit inside uncertainty, asking what it really means to choose love when there are no clear rules.

Intimate in scale but expansive in implication, A THIRD WAY speaks to contemporary audiences navigating evolving definitions of partnership, family, and belonging—without telling them what to think.

A Red Orchid Theatre is pleased to conclude its 33^rd Season with the world premiere of Hanna Kime's The Targeted, a tragicomedy about community directed by Grace Dolezal-Ng, playing May 7 – June 14, 2026 at The Chopin Theatre Mainstage, 1543 W. Division St. in Chicago's Wicker Park neighborhood. Single tickets go on sale Tuesday, March 24, 2026 at aredorchidtheatre.org or by calling (312) 943-8722. Season subscriptions are currently available. The press opening is Sunday, May 17 at 6 pm.

The Targeted will feature Ensemble Members Kirsten Fitzgerald*, Lawrence Grimm*, Sadieh Rifai* and Natalie West* with Glenn Obrero and Stephanie Shum.

About the Production:

Welcome to the Solidarity and Truth Summit. A gathering of the most persecuted, tortured, and misunderstood people in the entire world. They call themselves Targeted Individuals, and they are victims of a vast and covert program of systematic torture, surveillance, and harassment by global intergovernmental powers. Over the course of this weekend in the woods they will discuss strategies to take down the deep state, bring awareness to their plight, and despite their suffering, stay human.

The production team includes Lauren Nichols (Scenic Designer), Stephanie Cluggish (Costume Designer), Josiah Croegaert (Lighting Designer), Angela Joy Baldasare (Sound Designer), Spencer Diaz Tootle (Props Designer), Eme Ospina-López (Projections Designer), Jennifer Aparicio (Production Manager), Tom Daniel (Technical Director), Dan Washelesky (Dramaturg) and Anna Vu (Stage Manager)

*Denotes A Red Orchid Theatre Ensemble Member

PRODUCTION DETAILS:

Title: The Targeted

Playwright: Hanna Kime
Director: Grace Dolezal-Ng
Cast (in alphabetical order): Kirsten Fitzgerald* (Rhonda), Lawrence Grimm* (Jeff), Glenn Obrero (Eric), Sadieh Rifai* (Sherry) Stephanie Shum (Mia) and Natalie West* (Didi).

Location: The Chopin Theatre Mainstage, 1543 W. Division St., Chicago

Dates: Previews: Thursday, May 7 at 7 pm, Friday, May 8 at 7 pm, Saturday, May 9 at 7 pm, Sunday, May 10 at 3 pm, Thursday, May 14 at 7 pm, Friday, May 15 at 7 pm and Saturday, May 16 at 3 pm & 7 pm

Regular run: Thursday,  May 21 – Sunday, June 14, 2026
Curtain Times: Thursdays and Fridays at 7 pm; Saturdays 3 pm & 7 pm; and Sundays at 3 pm. Please note: there will be an added Industry Night performance on Monday, June 1 at 7 pm.

Tickets: Previews: $33 – $44*. Regular run: $55*. Access, student, senior, and group discounts available. Single tickets go on sale Tuesday, March 24, 2026 at aredorchidtheatre.org or by calling (312) 943-8722. *Ticket prices include a processing fee.

About the Artists:

Hanna Kime (Playwright, she/her) is a Jeff-Nominated Chicago-based playwright and screenwriter originally from St. Louis, Missouri. Her full-length work has been presented or developed with companies such as Benson Drive Productions (George Strus), the Goodman, Berkeley Rep, St. Louis Shakespeare Festival, A Red Orchid, Steep, [producingbody], The Understudy: Coffee and Books, Bramble, Sideshow, where she was an ensemble member, First Floor, where she previously served as Literary Manager, among others. Most recently, her play Dogs had its world premiere at Red Theater. This spring, her play The Best Damn Thing will receive its Seattle Premiere at Dacha Theatre. Kime is a two-time O'Neill Finalist, was the winner of OKC Rep's New Voices Contest and has been named a semifinalist for the Bay Area Playwrights Festival, Ashland New Play Festival and Premiere Stages Play Festival. She holds degrees from the University of Chicago in English and Gender and Sexuality Studies. She is represented by UTA and managed by Curate.

Grace Dolezal-Ng (Director, she/her) is a Chicago-based director passionate about building empathy and generating empowerment through visceral storytelling. Director: Baked! (Theo), The Best Damn Thing (The Understudy), Radial Gradient (Shattered Globe), Despierta! (Lime Arts), Death for Sydney Black (Independent). Assistant Director: It Came From Outer Space (Chicago Shakespeare Theater), Athena (Writers Theatre), Roe (Goodman Theatre), The Great Leap (Asolo Repertory Theatre). By day, Grace is Casting Coordinator at Goodman Theatre.

Kirsten Fitzgerald (Rhonda, she/her) is a proud member of the Ensemble at A Red Orchid Theatre and has served as the Artistic Director since 2008. She was most recently onstage here last season in The Cave. Select AROT credits include In Quietness, Grey House, Traitor, Evening at the Talk House, The Room, Pilgrim's Progress, Mud Blue Sky, Butcher of Baraboo, The New Electric Ballroom, Abigail's Party, Pumpgirl, Weapon of Mass Impact and The Sea Horse (for which she was honored to receive a Jeff Award). She is currently directing Birds of North America and previously directed The Moors at AROT, which earned her a Jeff Award for Best Director of a Play (Midsize). Other onstage credits include Swing State (Off-Broadway Minetta Lane Theatre, Goodman), I Hate It Here, ROE, Sweat (Goodman); Mary Page Marlowe, The Qualms, Clybourne Park (Steppenwolf); Appropriate, Lettie (Victory Gardens), Motherhouse (Rivendell); and work with Chicago Shakes, Utah Shakes, Shattered Globe, Remy Bumppo, Plasticene, Prop, Defiant and more. TV: Shining Girls, Somebody Somewhere, The Exorcist, Sirens, Chicago Med/Fire/Justice, Underemployed, ER. Film: Rain Reign, Widows, Working Man. Representation: Grossman & Jack Talent.

Lawrence Grimm (Jeff, he/him) is a founding ensemble member of A Red Orchid Theatre where some of his credits include: Turret, Traitor, Do You Feel Anger?, Small Mouth Sounds, 3C, Trevor, In a Garden, Pumpgirl and Abigail's Party, among many others. Area credits: Gaslight and Prayer for the French Republic (Northlight), Hannah and Martin (Jeff Nomination – Actor) and The Heavens Are Hung in Black (Shattered Globe), King Charles III, The Tempest (Chicago Shakespeare Theater), 2666 (Goodman Theatre), The Upstairs Concierge (Goodman – New Stages), My Name is Asher Lev (Timeline Theatre), In the Next Room or The Vibrator Play (Victory Gardens), Welcome Home, Jenny Sutter (Next Theatre), Orlando (Court Theatre), Two by Pinter (Piven Theater Workshop), The Glass Menagerie (Raven Theatre, Jeff Award – Actor), The Brothers Karamazov, 1984 (Lookingglass), I Never Sang for My Father, Wolf Lullaby (Steppenwolf). Film credits: Eric LaRue, Night's End, Slice, Captive State, Welcome to Me, A Perfect Manhattan, Cicero in Winter. Television: Somebody, Somewhere (HBO), The Red Line (CBS), Chicago PD, Chicago Med, Chicago Fire (NBC), Late Night with Conan O'Brien (NBC). More at www.grimmactor.com.

Glenn Obrero (Eric, he/him) is excited to make his A Red Orchid Theatre debut! He was last seen in Pivot (Rivendell Theatre Ensemble). Select Chicago theatre credits: Tale of Two Cities (Shattered Globe Theatre), The Great Leap (Steppenwolf Theatre), 20K Leagues under the Seas (Lookingglass Theatre), Ironbound (Raven Theatre), Wipeout (Rivendell Theatre Ensemble) and The Chinese Lady (TimeLine Theatre). Regional Theatre credits: Barefoot in the Park and Misery (Peninsula Players Theatre), Edith Can Shoot Things and Hit Them (Kitchen Theatre), The Great Leap (Asolo Repertory Theatre). Film credits: When Cats Fly. TV credits: Chicago Fire (NBC) and nExt (FOX). Glenn is a member of Rivendell Theatre Ensemble and represented by Gray Talent Group.

Sadieh Rifai (Sherry, she/her) is an ensemble member at A Red Orchid Theatre. As a playwright, she recently had the world premiere of her play The Cave as part of the 32rd season. She's also performed in Do You Feel Anger, An Evening at The Talk House and the world premiere of Grey House. Sadieh was also recently on stage at Steppenwolf in the production of You Will Get Sick directed by Audrey Francis. Film credits include The Wise Kids, Nate and Margaret, Olympia and All Happy Families. Television credits include Chicago Med, Netflix's Easy, CBS The Red Line, Amazon's Patriot, Apple TV's Shining Girls ,TJ and Dave's pilot Bettendorf Talks and season three of HBO's Somebody Somewhere. Sadieh is a graduate of the School at Steppenwolf and received the Princess Grace Award.

Stephanie Shum (Mia, she/her) previously appeared in Revolution and The Moors and serves as the Marketing & Development Director at A Red Orchid Theatre. Other credits include The Crucible, You Will Get Sick, Bald Sisters, The Great Leap (Steppenwolf); Hummingbird (Goodman); Gorgeous (Raven/Rivendell); One Party Consent (First Floor); Dogs (Red, Jeff Nomination – Performer in a Supporting Role); Mothers (Gift); Men on Boats (American Theater Company); A Story Told in 7 Fights (Neo-Futurists); Love in the Time of Jonestown, Small World, Kate and Sam Are Not Breaking Up (The New Coordinates, selected); Christmas Carol, Tiger Style! (TheatreSquared); among others. Stephanie is a graduate of the School at Steppenwolf and is represented by Gray Talent Group. stephanieshum.com

Natalie West (Didi, she/her) has been an ensemble member of A Red Orchid since 2010. She has appeared in many productions including The Cave, Revolution, Fulfillment Center, Traitor and Evening at the Talkhouse. She has performed in shows at the Goodman, Steppenwolf, Chicago Shakespeare and Northlight. She is a former member of Remains Theatre. Natalie portrayed the character Crystal on the television show Roseanne and The Conners. She received Jeff awards for her work in Abigail's Party and Butcher of Baraboo at A Red Orchid and Life and Limb at Wisdom Bridge.

Sponsors: Barbara & Randy Thomas (Production Sponsors) and Andrea Mitchel (Developmental Sponsor).

About A Red Orchid Theatre:

A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 32 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories.  

A Red Orchid Theatre is: Karen Aldridge, Lance Baker, Kamal Angelo Bolden, Esteban Andres Cruz, Dado, Mike Durst, Sherman Edwards, Myron Elliott, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Levi Holloway, Mierka Girten, Larry Grimm, John Judd, Karen Kawa, Karen Kessler, Travis A. Knight, Danny McCarthy, Shade Murray, Brett Neveu, Sadieh Rifai, Grant Sabin, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.  

Sponsor Information: 

A Red Orchid Theatre remains grateful for the support of our board, donors and loyal audience who continue to champion our ambitious and powerful storytelling. These sponsors help to create a platform for our talented Ensemble to reach new audiences, and ensure that we remain a source for honest, compassionate, and aesthetically rigorous theatre-making. 

A Red Orchid Theatre's 33^rd Season is sponsored by Heidi Graham. The Targeted is sponsored by Barbara & Randy Thomas (Production Sponsors) and Andrea Mitchel (Developmental Sponsor).

Interested in sponsoring a production? By partnering with us as a sponsor, you will help to take our work to the next level of artistic excellence, while also receiving deeper access to our artists and the creative process. To learn more, please contact Development Director Stephanie Shum at This email address is being protected from spambots. You need JavaScript enabled to view it. or (312) 943-8722. 

Lookingglass Theatre Company, in keeping with its celebrated tradition of bringing to life Ensemble-created new work, presents the world premiere of White Rooster, written and directed by Ensemble Member Matthew C. Yee (Lucy & Charlie's Honeymoon). Drawing from a personal family story rooted in early 1900s China, Yee's inventive and haunting play with music reimagines an American ghost town in a way only Lookingglass can, weaving together puppetry, movement, song, and folklore. Single tickets to the production, which runs March 5 – April 12, 2026, are available for purchase at www.lookingglasstheatre.org or by phone at 312.337.0665. $30 tickets are available for all performances. 

The cast includes ensemble members Louise Lamson (Judy), and Joey Slotnick (John), along with Karen Aldridge (Maria), Sunnie Eraso (Min), Elliot Esquivel (Fang/Wu through April 5), Nik Kmiecik (Fang/Wu April 8-12), Noelle Oh (June), Reilly Oh (Pong), and Daniel Lee Smith (Hao/Ba).

The creative team includes Natsu Onoda Power (Scenic Designer), Mara Blumenfeld (Costume Designer), Hannah Wien (Lighting Designer), Justin Cavazos (Sound Designer/Co-Composer), Amanda Herrmann (Props Supervisor), Caitlin McLeod (Puppet Designer), Heidi Stillman (New Works Consultant), Sheryl Williams (Intimacy Director), Tess Golden (Production Stage Manager), and Emma Lipson (Assistant Stage Manager).

White Rooster is a darkly funny tale of love, loss and the strange things we inherit. After a family tragedy, Min is pulled into a world of restless spirits, old curses and mysterious traditions. Her fiancé won't stay dead, her sister won't stay buried and a rooster won't be ignored. Blending spooky folklore with offbeat humor, White Rooster is a haunting tale of grief, family and the messiness of moving on.

About Matthew C. Yee
Matthew Yee (he/him) is a playwright, composer, actor, and musician living in Chicago, IL. Much of his work focuses on the Asian American experience, and features actor-musicianship, movement, and puppetry. His original musical Lucy And Charlie's Honeymoon premiered at Lookingglass Theatre in 2023, where he is an ensemble member. His new play White Rooster, which transposes Chinese folklore into an Americana setting, will have its world premiere this spring at Lookingglass. Lookingglass acting credits include: Treasure Island, Moby Dick, and Lucy and Charlie's Honeymoon. He has performed at Writers Theatre, Steppenwolf, Court Theatre, Paramount, Berkeley Rep, The Old Globe, Alliance Theatre, and on Broadway in Almost Famous: The Musical.

Membership and Groups Information
Lookingglass Theatre Company's popular Memberships are now on sale, offering guaranteed ticket prices plus a host of exclusive perks. Members receive tickets to every Lookingglass production this season, including White Rooster and Untitled Vampire Play, along with free drinks at each performance, 15% off additional tickets, bar purchases, and merchandise, unlimited ticket exchanges, priority booking, and automatic entry into the company's biannual raffle. Members also enjoy 15% off Lookingglass camps and classes, and bonus savings on group sales.

New this year, Memberships now include tickets to GglassFest '26, Lookingglass's inaugural New Works Festival, and flexible group membership options. Audiences can join solo or build their own ensemble group of up to 4 patrons with four package levels: Solo ($140), Duo ($280), Trio ($420), and Party Pack ($560). Every Membership package includes all ticketing benefits, bar bonuses, and exclusive perks for each member of the group—making it the most immersive, flexible, and rewarding way to experience Lookingglass all season long.

Lookingglass Theatre Company offers group ticket discounts for parties of 10 or more, providing savings of up to 25% off regular ticket prices. Group ticket packages include priority access to tickets before public on-sale, best-available seating, and flexible payment plans based on group needs. Additional benefits may include post-show discussions at select performances, educational resource guides, and pre-show restaurant and hotel recommendations, offering planning support and contextual resources for groups attending performances at Lookingglass Theatre Company.

Accessibility at Lookingglass Theatre Company

Lookingglass Theatre Company is committed to making its performances accessible to all audiences. Each mainstage production offers open captioning, audio-described performances with Touch Tours,, and mask-required performances. For White Rooster, open captioning will be April 3, 2026 at 7:30PM, the audio-described performance with Touch Tour will be April 9, 2026 at 7:30PM (Touch Tour at 6:30PM), and the mask-required performance will be March 25, 2026 at 7:30PM. Discounted $35 tickets are available for each performance using the codes CAPTION, AUDIO, and MASK, respectively.

An accessible entrance is located on Pearson Street, west of the main entrance at 163 E. Pearson Street. The Joan and Paul Theatre is fully accessible via elevator or ramp, with seating available on the ground floor and balcony for patrons using wheelchairs, scooters, walkers, or other mobility aids. Assistive Listening Devices, sensory bags, and large-print programs are available for all performances, and accessible group sales offer up to 25% off for parties of 10 or more.

For assistance with accessible seating, tickets, or accommodations, contact the Box Office at 312.337.0665 or This email address is being protected from spambots. You need JavaScript enabled to view it..

FACT SHEET / White Rooster  

Title:                                        White Rooster  

Written and Directed by:         Ensemble Member Matthew C. Yee

Dates:                                      Previews:  March 5 – 13, 2026

Press Performance: March 14, 2026 at 6:00pm

            Regular run: March 15 – April 12, 2026

            Community Nights: March 12, 22; April 9, 2026

Schedule:                                Wednesdays:               7:30 p.m.

Thursdays:                   2:00 p.m. (except March 5 & 12) and 7:30 p.m.

                                                  Fridays:                       7:30 p.m. 

Saturdays:                    2:00 p.m. (except March 7 & 14) and 7:30 p.m. (except March 14)

Sundays:                      2:00 p.m. 

Accessible Performances:      Open Caption – April 3, 2026 at 7:30pm

Audio Described/Touch Tour – April 19, 2026 at 7:30pm
            Touch tour starts at 6:30p.m.

Masks Required – March 25, 2026 at 7:30pm   

Tickets:                                   Previews: Tickets begin at $30

                                                Regular Run: Tickets begin at $30

Box Office:                              Buy online at lookingglasstheatre.org 

or by phone at (312) 337-0665

The Lookingglass box office is located at Water Tower Water Works, 

821 N. Michigan Ave.

Notes of Interest:

• Playwright and Lookingglass Ensemble Member Matthew C. Yee's first play Lucy & Charlie's Honeymoon premiered at Lookingglass in 2023. As an actor, he has appeared at Writers Theatre, Steppenwolf, Court Theatre, Paramount, Berkeley Rep, The Old Globe, Alliance Theatre, and on Broadway in Almost Famous: The Musical. White Rooster marks his directorial premiere.
  
  
• Lookingglass continues its artistic mission of creating and producing new, ensemble-based works. White Rooster includes the work of several ensemble members making their mark on the American theater and the company's legacy. 

• Karen Aldridge comes to the Lookingglass stage after originating the role of Mrs. Phelps in the Broadway premiere of Matilda the Musical, and following acclaimed television work including in recent seasons of Fargo and Severance.

• Lookingglass, a destination arts hub for programming and community engagement on Michigan Ave., welcomes audience members through its new, community lobby space.

About Lookingglass Theatre Company

Founded in 1988 by graduates of Northwestern University, Lookingglass Theatre Company is a nationwide leader in the creation and presentation of new, cutting-edge theatrical works and in sharing its ensemble-based theatrical techniques with Chicago-area students and teachers through Education and Community Programs. Guided by an artistic vision centered on the core values of collaboration, transformation and invention, Lookingglass seeks to capture audiences' imaginations leaving them changed, charged and empowered. Recipient of the 2011 Tony Award for Outstanding Regional Theatre, Lookingglass has built a national reputation for artistic excellence and ensemble-based theatrical innovation. Notable world premieres include Mary Zimmerman's Tony Award-winning Metamorphoses and The Odyssey, J. Nicole Brooks' Her Honor Jane Byrne, David Schwimmer's adaptation of Upton Sinclair's The Jungle and Studs Terkel's Race: How Blacks and Whites Think and Feel about the American Obsession, Matthew C. Yee's Lucy and Charlie's Honeymoon and David Catlin's circus tribute to Lewis Carroll, Lookingglass Alice, which was captured by HMS Media and reached 1.6 million PBS viewers. Looking Alice is now available to more than four million students worldwide through Digital Theatre+. Work created by Lookingglass artists has been produced in Australia, Europe and dozens of cities throughout the United States.

Lookingglass Theatre Company announces Come As You Aren't Ball, a premier costumed benefit celebrating and supporting the Ensemble's acclaimed tradition of creating bold new work. Co-chaired by Founding Ensemble Member David Schwimmer and board member Nancy Ali, the event invites guests to arrive in imaginative "character couture," drawing inspiration from the iconic costume designs that have defined Lookingglass productions across the years.

Guests and media are encouraged to explore the dedicated event website, a visually rich gallery of Lookingglass's most unforgettable costumes, created to spark inspiration and celebrate the artistry behind the work. For details and inspiration, visit www.comeasyouarent.com.

Come As You Aren't Ball takes place Saturday, May 2, 2026, at The Wellsley, 504 N. Wells Street in Chicago.

Rooted in the extraordinary world that Lookingglass creates every day, the event draws participants into a legacy that spans from the company's beginnings as a scrappy ensemble of artists to its recognition as a Tony Award–winning leader in American theatre. Throughout its history, Lookingglass has remained committed to the belief that art should ignite curiosity, expand empathy, and bring people together. Honoring decades of costume design, the event celebrates a shared spirit of imagination among the artists, educators, audiences, and supporters who make this creative world possible.

Special guest appearances include a performance by drag, cabaret, opera, theatre and live art star Le Gateau Chocolat, magician Benjamin Barnes and DJ Lady D. The evening's celebrity co-hosts and a judge for the costume contest will be announced at a later date.

The honorees are Wintrust (The Corporate Leadership Award), Steve and Lorrayne Weiss (The Arts Champion Award) and architect John Morris (The Service to the Arts Tribute).

In true Lookingglass fashion, the evening will be unlike all others. The imaginative costume ball unfolds over two acts, each offering its own world of wonder. The evening begins at 5:30pm with a pink carpet arrival to set the tone for the unique and vibrant event.

Act I, beginning at 5:30pm, welcomes an exclusive group of 170 guests into a vibrant, immersive costumed cocktail and dining experience filled with character, color, and surprise. It includes an elegant dinner, curated program, fabulous live auction, and special guest appearances. All Act I guests are invited to stay for Act II.

Act II, beginning at 8:30pm, transforms the night into a dazzling dance party and celebration for 400 guests, where creativity reigns and the unexpected becomes the star of the show. Guests will experience savory and sweet bites, open bar, rousing special guest performances, delightful silent auction, and the acclaimed DJ Lady D to carry the party through the night.

The Lead Supporting Sponsor is Wintrust. Raise the Curtain Sponsors are Cresset Capital, JSSI & Book Family Foundation and Rich Chapman. The Media Partner is Modern Luxury and the Producing Partner is COACT Agency.

Tickets, $1500 (Act I and II) and $500 (Act II), are available at www.comeasyouarent.com.

About Lookingglass Theatre Company

Founded in 1988 by graduates of Northwestern University, Lookingglass Theatre Company is a nationwide leader in the creation and presentation of new, cutting-edge theatrical works and in sharing its ensemble-based theatrical techniques with Chicago-area students and teachers through Education and Community Programs. Guided by an artistic vision centered on the core values of collaboration, transformation and invention, Lookingglass seeks to capture audiences' imaginations leaving them changed, charged and empowered. Recipient of the 2011 Tony Award for Outstanding Regional Theatre, Lookingglass has built a national reputation for artistic excellence and ensemble-based theatrical innovation. Notable world premieres include Mary Zimmerman's Tony Award-winning Metamorphoses and The Odyssey, J. Nicole Brooks' Her Honor Jane Byrne, David Schwimmer's adaptation of Upton Sinclair's The Jungle and Studs Terkel's Race: How Blacks and Whites Think and Feel about the American Obsession, Matthew C. Yee's Lucy and Charlie's Honeymoon and David Catlin's circus tribute to Lewis Carroll, Lookingglass Alice, which was captured by HMS Media and reached 1.6 million PBS viewers. Lookingglass Alice is now available to more than four million students worldwide through Digital Theatre+. Work created by Lookingglass artists has been produced in Australia, Europe and dozens of cities throughout the United States.

Paramount Theatre’s long-running smash hit musical Million Dollar Quartet has wrapped its winter break, and is rebooting to rock downtown Aurora’s Stolp Island Theatre for three more months, March 4-May 31, 2026.

Repeat audiences know, and newcomers really should experience, this new, limited engagement of Paramount’s critically acclaimed, immersive Million Dollar Quartet. Both the theater and the show were custom built to create an intimate, jukebox musical experience like none before, inventively staged inside a replica of the original Sun Records studio in Memphis.

It was there, on December 4, 1956, where Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins famously came together to record one of the most historic jam sessions in rock ‘n’ roll history. In Paramount’s Sun Records, the musical delivers incredible, up-close live performances of some of the best songs in rock ‘n’ roll history, including “Blue Suede Shoes,” “Folsom Prison Blues,” “I Walk the Line,” “Hound Dog” and “Great Balls of Fire.”

Paramount’s production returns with its original Jerry Lee Lewis, Garrett Forrestal, still leaping off his piano since MDQ inaugurated Stolp Island Theatre in June 2024. Veteran rockabilly player Matt McClure returns as Carl Perkins. Also back are Corey McKinney as Elvis Presley and Michael Potter as Johnny Cash, breaking hearts and walking the line respectively since last summer. Connor Green is new to the cast, stepping in as Sun Studios founder Sam Phillips. Paramount’s original Dyanne, show stopper Madison Palmer, and Maeghan Looney as Marion, are both returning for the extension, along with Brandon Pollard as Fluke, and Roy James Brown as Brother Jay, through Mar 22, when Jake Saleh returns as Brother Jay. 

Don’t miss Paramount’s radically unique restaging of one of the most popular jukebox musicals of all time. Dean Richards, WGN-TV/AM, said it was “like stepping into Sun Records where one special night took place." Chris Jones, Chicago Tribune, called it “another example of how much the success of the nonprofit, audience-focused Paramount has transformed the center of Aurora into a live entertainment destination.”

Paramount’s Stolp Island Theatre is located at 5 E. Downer Place, Suite G, in downtown Aurora, with several restaurants and easy, affordable parking just a short walk away.

Paramount’s new, limited engagement of Million Dollar Quartet reopens March 4 and runs through May 31. Performance times are Wednesday at
1:30 p.m. and 7 p.m., Thursday at 7 p.m., Friday at 7 p.m., Saturday at 2 p.m. and 7 p.m., and Sunday at 1 p.m. and 5:30 p.m.

All seats are $76 when purchased in person. Additional fees apply for phone and online orders. For tickets and information, visitParamountAurora.com, call (630) 896-6666, or stop by the Paramount Theatre box office, 23 E. Galena Blvd., Monday–Saturday, 10 a.m. to 6 p.m., and until show time on show days. 

Million Dollar Quartet inaugurated Paramount’s new Stolp Island Theatre with much fanfare in July 2024. The production was extended three times due to popular demand, running for more than a year and a half prior to this spring 2026 extension.

Chalk this success up to being a production that delivers on all fronts. As soon as audiences step into the lobby, they find themselves outside the legendary Sun Records recording studio in Memphis, Tennessee, where they can step up to the Taylor’s Good Food concession stand for affordable snacks and beverages, view displays about the history of the play and take selfies astride a vintage-style motorcycle.

Paramount’s directors Jim Corti and Creg Sclavi worked with a “million dollar” production team to create a truly a one-of-a-kind live musical experience, stocked with amazing talent, an incredibly detailed, environmental set, and the amazing production values audiences expect from Paramount.

The production team includes Kory Danielson, music director; Jeffrey D. Kmiec, scenic designer; Matt Guthier, costume designer; Greg Hofmann, lighting designer; Adam Rosenthal, sound designer; Mike Tutaj, projections designer; Katie Cordts, wig, hair and makeup designer; and Jonathan Berg-Einhorn, properties designer. Rebecca J. Lister is stage manager and Emily Hanlon is assistant stage manager. Understudies are Roy James Brown (principal Brother Jay to start, understudy when Jake Saleh returns in late March), Brian Grey (Johnny Cash, Sam Phillips), Michael Kurowski (Jerry Lee Lewis, Elvis Presley), Drew Mitchell (Fluke), Ben Smallwood (Carl Perkins) and Kyle Wells (Brother Jay). The book is by Colin Escott and Floyd Mutrux. Original concept and direction by Floyd Mutrix.

Verano, a leading cannabis company that operates Zen Leaf dispensaries in Aurora and across Chicagoland, is Venue Sponsor for Stolp Island Theatre. Old National Bank is Marquee Sponsor for Million Dollar Quartet.

Producer Jeffrey Seller and Broadway In Chicago announce a digital lottery for HAMILTON tickets will begin in conjunction with the show’s first performance on March 4, 2026, in Chicago, IL at the CIBC Theatre (18 W. Monroe St.).  A limited number of tickets will be available for every performance for $10 each.  The lottery will first open at 10:00 AM Friday, February 20, and will close at 12:00 PM on Thursday, February 26, for tickets to performances Wednesday, March 4—Sunday, March 8. Subsequent digital lotteries will begin each Friday and close the following Thursday for the upcoming week’s performances. Ticket information and performance schedule are available below.

HOW TO ENTER

• Use the official app for HAMILTON, now available for all iOS and Android devices in the Apple App Store and the Google Play Store (https://HAMILTONmusical.com/us-tour/lottery/#app).
• The lottery will open at 10:00 AM every Friday and will close for entry at 12:00 PM the next Thursday prior to the following week’s performances.
• Winner notifications will be sent between 1:00 PM and 3:00 PM every Thursday for the upcoming week’s performances via email and mobile push notification.  Winners will have two hours to claim and pay for their ticket(s). 
• No purchase or payment is necessary to enter or participate.
• Each winning entrant may purchase up to two (2) tickets. 
• Only one entry per person. Repeat entries and disposable email addresses will be discarded.
• Lottery tickets may be picked up at will call beginning 2 hours prior to the performance with a valid photo ID.
• Lottery tickets void if resold.
• All times listed are in the local time zone. 

ADDITIONAL RULES
Patrons must be 18 years or older and have a valid, non-expired photo ID that matches the name used to enter. Tickets are non-transferable. Ticket limits and prices displayed are at the sole discretion of the show and are subject to change without notice.

Lottery prices are not valid on prior purchases. Lottery ticket offer cannot be combined with any other offers or promotions. All sales final - no refunds or exchanges.  Lottery may be revoked or modified at any time without notice. A purchase will not improve the chances of winning.

Tickets for HAMILTON are currently on sale.  Patrons are advised to check the official HAMILTON channels and www.broadwayinchicago.com for late release seats which may become available at short notice.

ABOUT HAMILTON
The unforgettable story of passion, unstoppable ambition, and the dawn of a new nation, seen by more than 28 million people around the world.

HAMILTON is the epic saga that follows the rise of Founding Father Alexander HAMILTON as he fights for honor, love, and a legacy that would shape the course of a nation. Based on Ron Chernow’s acclaimed biography and set to a score that blends hip-hop, jazz, R&B, and Broadway, HAMILTON has had a profound impact on culture, politics, and education. HAMILTON features book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire. In addition to its 11 Tony Awards®, it has won Grammy® and Olivier Awards, and the Pulitzer Prize for Drama.

HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg, hair and wig design by Charles G. LaPointe, and casting by Telsey + Company, Bethany Knox, CSA.

The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater.

The HAMILTON Original Broadway Cast Recording is available everywhere nationwide. 

For information on HAMILTON, visit: HAMILTONMusical.com. Follow HAMILTON on Facebook, Instagram, Twitter & TikTok @HAMILTONMusical.

PERFORMANCE SCHEDULE
The performance schedule is available at www.BroadwayInChicago.com.

TICKET INFORMATION (as of 2/11/26, based on availability and subject to change)
Single ticket prices range from $63–$208, with a select number of premium seats available for all performances. Individual tickets are available by visiting www.BroadwayInChicago.com, or going to any Broadway In Chicago venue box office. Additional fees apply for online purchases. Tickets are available for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it..

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.

For more information, visit www.BroadwayInChicago.com.
Follow @BroadwayInChicago on Facebook, Instagram , TikTok, Bluesky #BroadwayInChicago

Idle Muse Theatre Company launches its 20th anniversary season with The Three Musketeers, March 26 - April 25, written by Robert Kauzlaric, directed by Idle Muse Artistic Director Evan Jackson adapted from the novel by Alexandre Dumas and originally commissioned for the 2010 Illinois Shakespeare Festival, at The Edge Off-Broadway Theater, 1133 W Catalpa Ave. Previews are Thursday, March 26 and Friday, March 27 at 8 p.m. The performance schedule is Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m., with an added Wednesday performance on April 22 at 8 p.m. General admission tickets are now on sale for $30 and $20 for seniors and students with $50 “pay it forward” tickets that assist in subsidizing tickets for those who may not be able to access the production otherwise. Tickets and additional group discounts are available at IdleMuse.org or the Idle Muse Theatre Company Box Office, 773.340.9438.

Idle Muse celebrates 20 years of productions with The Three Musketeers. Based on Alexander Dumas’s celebrated 1844 novel, the Jeff Award-winning Robert Kauzlaric adapts the French tale of swashbuckling intrigue, adventure and fellowship as newly-minted musketeer D’Artagnan and the famous “three inseparables,” Athos, Porthos and Aramis take on the machinations of a scheming cardinal and his minions.

The Three Musketeers cast includes Troy Schaeflein~ (he/him, D’Artagnan); Jack Sharkey~ (he/him, Athos); Boomer Lusink (he/him, Porthos); Xavier Lagunas~ (he/him, Aramis); Jennifer Mohr~ (she/her, Milady); Joel Thompson~ (he/him, Rochefort); Eric Duhon (he/him, Richelieu); Benjamin Jouras (he/him, Louis XIII/Buckingham);  Erik Schnitger~ (he/him, Treville); Vanessa Copeland (she/her, Jane Felton/Bonacieux); Brendan Hutt~ (he/him, Laporte); Sam Neel (he/him, Combat Ensemble); Jamie Redwood~ (she/her, Cosntance); Caty Gordon~ (she/her, Queen Anne); Ian Saderholm (he/him, u/s D’Artagnan) Elise Soeder (she/her, u/s Milady); Emily Pfriem (she/her, u/s Constance, u/s Jane Felton); Emely Cuestas (she/her, u/s Queen Anne); Alex George (they/them, u/s Porthos); Malachi Marrero (he/they, u/s Rochefort); Rick Adams (he/him, u/s Combat Ensemble); Derek Preston Ray (he/him, u/s Louis XIII/Buckingham) and Alex Hultman (they/them, u/s Laporte, u/s Aramis).

The creative team includes Robert Kauzlaric (he/him, playwright); Evan Jackson~ (he/him, director);  Tristan Brandon~ (he/him, health and safety officer, props designer); Libby Beyreis~ (he/him, assistant director, violence director); Lindsey Chidester~ (she/her, stage manager); Beth Bruins~ (she/her, assistant stage manager); Kati Lechner~ (she/her, production manager, health and safety officer); Erin Alys (she/her, intimacy director); Brendan Hutt~ (he/him, violence director); Emma Rund (she/her, dramaturg); Jeremiah Barr (he/him, technical director, master carpenter); Laura J. Wiley~ (she/her, lighting & projection designer); L.J. Luthringer~ (he/him, sound designer and composer); Vicki Jablonski (she/her, costume designer); Breezy Snyder~ (she/they, scenic painter); Mara Kovacevic~ (she/her, house manager); Mario Mazzetti (they/he, dialect and voice direction); Elizabeth MacDougald~ (she/her, rehearsal fight coach); Caty Gordon~ (she/her, marketing and social media); Michael Dalberg~ (he/him, Idle Muse literary director) and Becky Warner~ (she/her, props designer).

~ Denotes Idle Muse Company Member

ABOUT ROBERT KAUZLARIC, PLAYWRIGHT 

Robert Kauzlaric is a Chicago-based playwright, actor and director. He has written more than a dozen theatrical adaptations which have been performed in nearly forty of the United States, as well as in England, Ireland and Canada. His adaptations include The Island of Dr. Moreau (Non-Equity Joseph Jefferson Awards: Best Production-Play and New Adaptation), The Picture of Dorian Gray (Non-Equity Jeff Nomination: New Adaptation), Neil Gaiman's Neverwhere (Non-Equity Jeff Award: New Adaptation), The Three Musketeers (commissioned for the Illinois Shakespeare Festival), Wilkie Collins's The Moonstone and The Woman in White, and a musical version of Jane Austen's Northanger Abbey. For children, Kauzlaric has written musical adaptations of Jon Scieszka and Lane Smith's The True Story of the 3 Little Pigs! (called "one of the best children's shows of the year" by The New York Times), Peter Brown's Flight of the Dodo, Mo Willems' Naked Mole Rat Gets Dressed and Richard and Florence Atwater's Mr. Popper's Penguins, as well as a fanciful twist on Shakespeare's Twelfth Night, called Lions in Illyria.

ABOUT EVAN JACKSON, DIRECTOR

Evan Jackson serves as the artistic director of Idle Muse Theatre Company, a position he has had the honor of holding since the company’s inception. He has directed 16 previous productions for Idle Muse Theatre Company, including last season's Jeff-nominated Richard Brinsley Sheridan’s The School for Scandal as well as the Jeff-recommended What the Weird Sisters Saw and Jeff-nominated The Last Queen of Camelot. At Idle Muse he also directed Upon this Shore: A Tale of Pericles and the Daughters of Tyre, Best for Winter, being a short Shakespeare adapted from the Winter’s Tale and other works, Equivocation, as well as The Lion in Winter and Sherlock Holmes: The Final Adventure (both Jeff-Recommended). Other favorite Idle Muse productions include The Hound of the Baskervilles, The Talking Cure, Rites and Sacrifices, a world premiere by Chicago playwright Jennifer L. Mickelson, Enchanted April, and The Scullery Maid. He was also director and co-adapter of the original Shotgun Shakespeare: What the Weird Sisters Saw with Idle Muse company member Tristan Brandon. Outside directing projects include several short plays in the Martin de Maat New Works Festival at Boxer Rebellion Theatre and two summers serving as assistant director for Shakespeare on the Green in Lake Forest. Jackson is a graduate of The Theatre School at DePaul University, where he received his MFA in directing.

ABOUT IDLE MUSE THEATRE COMPANY 

Idle Muse Theatre Company’s mission is to produce theatre that is transporting,  timely and true. The company was established in 2006 by theatre artists interested in exploring the relationship between individuals and the worlds they inhabit. Seeking to create production opportunities, they established a modern ‘guild’ of players and environment where theatre artists of different experiences and backgrounds could develop their craft. Today, IMTC remains focused on the following core values:

Transporting: We believe that great theatre removes both audience members and  artists from their respective reality and transports them to another world.

Timely: We believe that human connection can be accomplished through  meaningful, relevant, and accessible storytelling here and now.

True: We believe in unflinching honesty in the playing and storytelling.

Since 2022, Idle Muse Theatre Company has instituted a profit share model with artists and team members for each production. In addition to any stipend or payment for services, a full 50% of all box office revenue is reserved and divided evenly among the cast and production team.

Idle Muse Theatre Company launches its 20th anniversary season with The Three Musketeers, March 26 - April 25, written by Robert Kauzlaric, directed by Idle Muse Artistic Director Evan Jackson and adapted from the novel by Alexandre Dumas at The Edge Off-Broadway Theater, 1133 W Catalpa Ave. Previews are Thursday, March 26 and Friday, March 27 at 8 p.m. with the press opening Saturday, March 28 at 8 p.m. The performance schedule is Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m., with an added Wednesday performance on April 22 at 8 p.m. General admission tickets are now on sale for $30 and $20 for seniors and students with $50 “pay it forward” tickets that assist in subsidizing tickets for those who may not be able to access the production otherwise. Tickets and additional group discounts are available at IdleMuse.org or the Idle Muse Theatre Company Box Office, 773.340.9438.